REFERENCES
- Birringer, J. (1986) ‘Pina Bausch dancing across borders', Drama Review 30(2) (Summer): 85–97
- De Merritt, L. C. (1987) New Subjectivity and Prose Forms of Alienation: Peter Handke and Botho Strauss, New York: Peter Lang.
- Erickson, J. (1990) ‘Appropriation and transgression in contemporary American performance: the Wooster Groups, Holly Hughes and Karen Finley, Theatre Journal 42(2) (May): 225–36
- Essiin, M. (1961) The Theatre of the Absurd, New York: Doubleday.
- Garner, S. B. (1990) ‘Post Brechtian anatomies: Weiss, Bond and the politics of embodiment’, Theatre Journal 42(2) (May): 145–64
- Huizinga, J. (1950) Homo Ludens, London: Beacon Press.
- Innes (1993) Holy Theatre: Ritual and the Avant-Garde, Cambridge: Cambridge University Press.
- Lefebvre, H. (1974) The Production of Space (trans. Donald Nicholson-Smith), Oxford: Blackwell.
- Schlicher, Susanne (1987) Tanz Theater: Traditionen und Freiheiten Hamburg: Reinbeck Verlag.
- Sutton-Smith, B. (1984) The Masks of Play, New York: Leisure Press.
- Wulbern, Julian (1971) Brecht and Ionesco: Committment in Context, Urbana: University of Illinois Press.