REFERENCES
- Ascott, Roy (1997) ‘The Technoetic Aesthetic: art and the matter of consciousness’, in Consciousness Reframed, Proceedings of the 1st International CaiiA Research Conference, Centre for Advanced Inquiry in the Interactive Arts, Newport: University of Wales.
- Auslander, Philip (1994) ‘Intellectual Property Meets the Cyborg: technology and textual ownership in postmodernist performance’, in Presence and Resistance, Ann Arbor: The University of Michigan Press.
- Causey, Mathew (1997) ‘Postorganic Performance: the appearance of theatre in virtual spaces’, in Consciousness Reframed, Newport: University of Wales.
- Davis, Char (1997) ‘Changing Space: VR as a philosophical arena of being’, in Consciousness Reframed, Newport: University of Wales.
- Turkle, Sherry (1997) Life on the Screen, New York: Touchstone.
INTERNET REFERENCES
- Fisher, S & Laurel, B (1991) Hyperlink [last download 12/03/99] http://cdr.standford.edu/html/telepresence/definition.html
- Lombard, Mathew & Ditton, Theresa (1997) ‘At the heart of it all: the concept of presence’, in JCMC, Hyperlink [last download 12/03/99] http://www.ascusc.org/jcmc/vol3/issue2/lombard.html
- Roberts, Lynne D., Smith, Leigh M. & Pollock, Clare (1996) ‘Exploring virtuality: telepresence in text-based virtual environments’, Hyperlink [last download 12/03/99] http://pysch.curtin.edu.au/people/robertsl/Intro.htm
ADDITIONAL READING
- Cubitt, Sean (1998) Digital Aesthetics, London: Sage Publications.
- Lyons, Charles (1997) ‘Confronting the Technology of the Actor and the Technologically Produced Image of the Actor as an Experience in Time’, in Consciousness Reframed, Newport: University of Wales.
- Murray, Janet (1997) Hamlet on the Holodeck: The Future of Narrative in Cyberspace, Cambridge, MA: MIT Press.