REFERENCES
- Furlong, William (1994) Audin Arts: Discnurse and Practice in Contemporary Art, London: Academy Editions.
- Kahn, Douglas (2001) Noise, Water, Meat: a History of Sound in the Arts, Cambridge: MIT Press.
- McCaffery, Steve (1998) ‘Voice in Extremis’, in Charles Bernstein (ed.) Close Listening, Oxford: OUP, pp. 162–77.
- MacWilliam, Shirley (1999) ‘Acoustic Shadows: Cast Behind the Curtain’, Performance Research 4(3) ‘On Silence’: 40–6.
- Ree, Jonathan (2000) I See a Voice: a Philosophical History, London: HarperCollins.
- Weiss, Alan S. (2002) Breathless: Sound Recording, Disembodiment, and the Transformation of Lyrical Nostalgia, Middletown, CT: Wesleyan University Press.