REFERENCES
- Boenisch, Peter M. (2003) ‘coMEDIA electrONica: Performing Intermediary in Contemporary Theatre’, Theatre Research International 28(1): 34–45.
- Butler, Judith (1993) Bodies That Matter: On the Discursive Limits of ‘Sex', London/New York: Routledge.
- De Kerckhove, Derrick (1981) ‘A Theory of Greek Tragedy’, Sub-stance 29: 23–36.
- Eshun, Kodwo (1998) More Brilliant than the Sun: Adventures in Sonic Fiction, London: Quartet.
- Fischer, Eva-Elisabeth (2002) ‘rosas 20’, Ballet-Tanz 5: 8–13.
- Gilroy, Paul (1993) The Black Atlantic: Modernity and Double Consciousness, London: Verso.
- Martin, John (1989) The Modern Dance, Princeton/NJ: Princeton Book [unabridged republication of the 1933 New York edition].
- McLuhan, Marshall Herbert (1962) The Gutenberg Galaxy: The Making of Typographic Man, Toronto: University of Toronto Press.
- Phelan, Peggy (1993) Unmarked: The Politics of Performance, London/New York. Routledge.
- Ruckert, Felix and Hartung, Bernd (2003) ‘Love University’, Performance Research 8(2) ‘Bodiescapes': 91–9.
- Wesemann, Arnd (2001) ‘Tanz ist Sex mit dem Publikum. Über das Taktile im Tanz und das Berühren als Augenersatz’, in Ballet—Tanz Yearbook 2001, pp. 44–7.