REFERENCES
- Alexander, F. M. (1932) (1984) The Use of the Self: Its Conscious Direction in Relation to Diagnosis, Function and the Control of Reaction, Downey, CA: Centerline.
- Brooks, Charles (1986) (1974) Sensory Awareness: The Rediscovering of Experience through Workshops with Charlotte Selver, New York: Felix Morrow Press.
- Buber, Martin (1957) Pointing the Way: Collected Essays, trans. Maurice Friedman, New York: Harper and Brothers.
- Etchells, Tim (1999) Certain Fragments: Contemporary Performance and Forced Entertainment, London: Routledge.
- George, David (1996) ‘Performance Epistemology’, Performance Research 1(1): 16–25.
- Gindler, Elsa (1926) (1995) ‘Gymnastik for People whose lives are full of activity (Die Gymnastik des Berufsmenschen)', in Don Hanlon Johnson (ed.) Bone Breath and Gesture: Practices of Embodiment, Berkeley: North Atlantic Press.
- Grosz, Elizabeth (1994) Volatile Bodies: Toward a Corporeal Feminism, Bloomington and Indianapolis: Indiana University Press.
- Howes, David (1990) ‘Controlling Textuality: A Call for a Return to the Senses’, Anthropologica 32: 55–73.
- Loukes, Rebecca (forthcoming) ‘Psychophysical Awareness in Training and Performance: Elsa Gindler and her Legacy’, unpublished PhD thesis, University of Exeter.
- Ludwig, Sophie (2002) Elsa Gindler—von ihrem Leben und Wirken, ed. Marianne Haag, Hamburg: Christians Verlag.
- Merleau-Ponty, Maurice (1963) The Primacy of Perception, Evanston, IL: Northwestern University Press.
- Roche, Mary Alice (ed.) (1978) Elsa Gindler: Volume One, Caldwell: Charlotte Selver Foundation.
- Roche, Mary Alice (ed.) (ed.) (1981) Elsa Gindler: Volume Two, Caldwell: Charlotte Selver Foundation.
- Ruyter, Nancy Lee Chalfa (1995) ‘Antique Longings: Genevieve Stebbins and American Delsartian Performance’, in Susan Foster (ed.) Corporealities: Dancing Knowledge, Culture and Power, London: Routledge, pp. 70–89.
- Schmale, Eva (1996) ‘Sensual Unrest’, in Ric Allsopp and Scott deLahunta (eds) The Connected Body? An Interdisciplinary Approach to the Body and Performance, Amsterdam: Amsterdam School of the Arts, pp. 66–9.
- Schmale, Eva (1999) Interview with the author. Selver, Charlotte (2000) Breathing and the Diaphragm, audio recording of workshop, Green Gulch Farm, California: Sensory Awareness Foundation.
- Toepfer, Karl (1997) Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910–1935, Berkeley and Los Angeles: University of California Press.
- Zarrilli, Phillip B (2001) ‘Negotiating Performance Epistemologies: Knowledges “about”, “in”, and “for”’, Studies in Theatre and Performance 21: 31–46.