REFERENCES
- Edwards, Barry (2003) Optik website http://www.optik.tv
- Ginsburg, Carl (1999) ‘Body-Image, Movement and Consciousness', Journal of Consciousness Studies 6(2–3): 79–91.
- Holt, Nancy (ed.) (1979) Collected Writings of Robert Smithson, New York: University of New York Press.
- Imlah, Mick (1988) Birthmarks, London: Faber & Faber.
- James, William (1890) The Principles of Psychology, Vol. 1, New York: Henry Holt, pp. 288–9, cited in Max Velmans (2000) Understanding Consciousness, London: Routledge, 153–4.
- Newman, Hayley (2001) Performancemania, London: Matt's Gallery.
- Noe, Alva (2000) ‘Experience and Experiment in Art’, Journal of Consciousness Studies 7(8–9): 123–35.
- Scarry, Elaine (1987) The Body in Pain: The Making and Unmaking of the World, Oxford: Oxford University Press.
- Taylor, Richard P., Micolich, Adam P. and Jonas, David (2000) ‘Using Science to Investigate Jackson Pollock's Drip Paintings', Journal of Consciousness Studies 7(8–9): 137–50.
- VAIN (2001) Kier Williams and Roly Carline at VAIN 2001, Freud's Art Café, Oxford.
- Warr, Tracey (2000) The Artist's Body, London: Phaidon.