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Performance Research
A Journal of the Performing Arts
Volume 9, 2004 - Issue 3: Generation
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Original Articles

Criminals and Celebrities

The inter-generational performance practice of Miranda Harcourt and Stuart McKenzie

Pages 116-128 | Published online: 06 Aug 2014

REFERENCES

  • Brandt, William and Harcourt, Miranda (1994) Verbatim, Wellington: Victoria University Press.
  • Cixous, Helene (1994) ‘The Place of Crime, The Place of Forgiveness’, in Susan Sellers (ed.) The Helene Cixous Reader, London/New York: Routledge, 151–6.
  • Foucault, Michel (1977) Discipline and Punish: The Birth of the Prison, trans. Alan Sheridan, London: Penguin.
  • Goldin, Nan and Costa, Guido (2001) Nan Goldin 55, trans. Imogen Forster, London/New York: Phaidon.
  • Harcourt, Miranda and McKenzie, Stuart (1999) Flowers from my Mother's Garden, Auckland: Penguin.
  • Harcourt, Peter (1978) A Dramatic Appearance: New Zealand Theatre 1920–1970, Wellington: Methuen.
  • Martin, Carol (1996) ‘Bearing Witness: Anna Deavere Smith From Community Theatre to Mass Media’, in Carol Martin (ed.) A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage, London/New York: Routledge, 81–93.
  • Paton, Justin (2003) Ronnie Van Hout: I've Abandoned Me, Dunedin: Dunedin Public Art Gallery.
  • Playmarket News 32, spring (2003).
  • Yang, William (1996) Sadness, St Leonards: Allen and Unwin.

VIDEO SOURCES

INTERVIEWS

  • Miranda Harcourt and Stuart McKenzie, Te Whaea Dance and Drama Centre, Wellington, 30 October 2003.
  • Miranda Harcourt and Stuart McKenzie, View Road, Wellington, 22 January 2004.

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