References
- Alphen, Ernst van (1999) ‘Symptoms of Discursivity: Experience, Memory, and Trauma’, in M. Bal, J. Crewe and L. Spitzer (eds.) Acts of Memory: Cultural Recall in the Present, Hanover and London: University Press of New England.
- Alphen, Ernst van (2000) ‘Caught by Images’, Visual Culture 1 (2): 205–21.
- Armstrong, Isobel (2000) The Radical Aesthetic, Oxford: Blackwell.
- Bal, Mieke (1991) Reading ‘Rembrandt’: Beyond the Word-Image Opposition, New York: Cambridge University Press.
- Fischer-Lichte, Erica (1992) The Semiotics of Theatre, English trans. J. Gaines and D.L. Jones, Bloomington and Indianapolis: Indiana University Press
- Green, Andre (1986) On Private Madness, Madison: International Universities Press
- Kolk, Bessel A. van der and Hart, Onno van der (1995) ‘The Intrusive Past: The Flexibility of Memory and the Engraving of Trauma’, in C. Caruth (ed.) Explorations in Memory, Baltimore: Johns Hopkins University Press.
- Müller, Heiner (1990) Het Eiland van het Grote Bloedbad, Dutch trans M. Otten, Amsterdam: International Theatre and Film Books.
- Reviews and articles on Médée Matériau and Medea from Berghem
- Bots, Pieter (2004) ‘Hysterical sound poetry’, Het Parool (PAR) 10 June.
- Jong, Anneriek de (2004) ‘Medea more than ready for psychiatric hospital’, NRC Handelsblad (NRC), 10 June.
- Koelewijn, Jannetje (2004) “The mother must have been in rage’, NRC, 2 June.
- Oranje, Hans (2004) “The myth of Medea as a staccato scream-opera’, Trouva (TR), 11 June.
- Traa, Mark (2004) ‘Mother is a murderer’, HP/De Tijd, 11 June.
- Veraart, Karin (2004) ‘Unforgettable role of bestial Medea’, Volkstkrant (VK), 11 June.