The Space of Doubt: The Chairs and the aesthetics of failure

REFERENCES

• Austin , J. L. 1962 . How to Do Things with Words , Oxford : Clarendon Press .
   Google Scholar
• Bailes , Sara Jane . 2011 . Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service , London : Routledge .
   Google Scholar
• Copeland , Roger . 1990 . The Presence of Mediation . The Drama Review , 34 ( 4 ) : 28 – 44 .
   Google Scholar
• Bottoms , Stephen J. 2009 . Authorizing the Audience: The conceptual drama of Tim Crouch . Performance Research , 14 ( 1 ) March : 65 – 76 .
   Web of Science ®Google Scholar
• Bottoms , Stephen J. and Goulish , Matthew . 2007 . Small Acts of Repair: Performance, ecology and Goat Island , Edited by: Bottoms , Stephen J. and Goulish , Matthew . London : Routledge .
   Google Scholar
• Butler , Alison . 2010 . A deictic turn: Space and location in contemporary gallery, film and video installation . Screen , 51 ( 4 ) : 305 – 23 .
   Web of Science ®Google Scholar
• Derrida , Jacques . 1982 . “ Signature, Event, Context ” . In Margins of Philosophy , Brighton : Harvester Press . trans. Alan Bass
   Google Scholar
• Elam , Keir . 1980 . The Semiotics of Theatre and Drama , London : Routledge .
   Google Scholar
• Etchells , Tim . 1999 . Certain Fragments: Contemporary performance and Forced Entertainment , London : Routledge .
   Google Scholar
• Garner , Stanton B. 1994 . Bodied Spaces: Phenomenology and performance in contemporary drama , London : Cornell University Press .
   Google Scholar
• Homan , Sidney . 1989 . The Audience as Actor and Character: The modern theatre of Beckett, Brecht, Ionesco, Pinter, Stoppard and Williams , London : Associated University Press .
   Google Scholar
• Ionesco , Eugene . 1962 . Rhinoceros, The Chairs, The Lesson , London : Penguin . trans. Donald Watson
   Google Scholar
• Lehmann , Hans-Thies . 2006 . Postdramatic Theatre , London : Routledge . trans. Karen Jürs-Munby
   Google Scholar
• Merleau-Ponty , Maurice . 1968 . The Visible and the Invisible , Edited by: Lefort , Claude . Evanston : Northwestern Press . trans. Alphonso Lingis
   Google Scholar
• Merleau-Ponty , Maurice . 2002 . The Phenomenology of Perception , 2 , London : Routledge . trans. Colin Smith
   Google Scholar
• Parker , A. and Sedgwick , K. W. 1995 . Performativity and Performance , London : Routledge .
   Google Scholar
• Pavis , Patrice . 1998 . Dictionary of the Theatre: Terms, concepts and analysis , Toronto : University of Toronto Press . trans. Christine Shantz
   Google Scholar
• Phelan , Peggy . 1993 . Unmarked: The politics of performance , London : New York: Routledge .
   Google Scholar
• Rancière , J. 2007 . The Emancipated Spectator . Artforum , : 271 – 280 . March 2007
   Google Scholar
• Rayner , Alice . 2006 . Ghosts: Death's double and the phenomenology of theatre , Minneapolis : University of Minnesota Press .
   Google Scholar
• Schechner , Richard . 1962 . The Enactment of the “Not” in Ionesco's Les Chaises . Yale French Studies , 29 : 65 – 72 .
   Google Scholar
• Searle , John . 1979 . “ The Logic of Fictional Discourse ” . In Expression and Meaning: Studies in the theory of speech-acts , 58 – 75 . Cambridge : Cambridge University Press .
   Google Scholar
• Segre , Cesare . 1980 . A contribution to the semiotics of theatre . Poetics Today , 1 ( 3 ) : 39 – 48 . trans. John Meddemmen
   Web of Science ®Google Scholar
• Szondi , P. 1987 . Theory of the Modern Drama: A critical edition , Cambridge : Polity Press . and trans. Michael Hays, foreword Jochen Schulte-Sasse
   Google Scholar