Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre

REFERENCES

• Alston , Adam . 2012a . Damocles and the plucked: Audience participation and risk in Half Cut . Contemporary Theatre Review , 22 ( 3 ) : 344 – 54 . (doi:10.1080/10486801.2012.690742)
   Web of Science ®Google Scholar
• Alston , Adam . 2012b . Funding, product placement and drunkenness in Punchdrunk's The Black Diamond . Studies in Theatre and Performance , 32 ( 2 ) : 193 – 208 . (doi:10.1386/stap.32.2.193_1)
   Web of Science ®Google Scholar
• Archive: It felt like a kiss . 2011 . http://punchdrunk.org.uk, accessed 14 August 2012
   Google Scholar
• Bayly , Simon . 2011 . A Pathognomy of Performance , Basingstoke : Palgrave Macmillan .
   Google Scholar
• Bernstein , Peter L. 1996 . Against the Gods: The remarkable story of risk , New York : John Wiley and Sons .
   Google Scholar
• Fried , Michael . 1968 . “ Art and objecthood ” . In Minimal Art: A critical anthology , Edited by: Battcock , Gregory . 116 – 47 . Berkeley, California : University of California Press .
   Google Scholar
• Liesbeth , Groot Nibbelink . 2012 . Radical intimacy: Ontroerend Goed meets the emancipated spectator . Contemporary Theatre Review , 22 ( 3 ) : 412 – 20 . (doi:10.1080/10486801.2012.690739)
   Web of Science ®Google Scholar
• Harvey , David . 2005 . A Brief History of Neoliberalism , Oxford : Oxford University Press .
   Google Scholar
• Harvey , David . 2011 . The Enigma of Capital and the Crises of Capitalism , London : Profile Books . 2010
   Google Scholar
• Harvie , Jen . 2011 . Democracy and neoliberalism in art's social turn and Roger Hiorns's seizure . Performance Research , 16 ( 2 ) : 113 – 23 . (doi:10.1080/13528165.2011.578842)
   Web of Science ®Google Scholar
• Hillaert , Wouter . 2010 . (Long) live the experience: Reflections on performance, pleasure and perversion . Border Collisions: Contemporary Flemish theatre, special issue of Contemporary Theatre Review , 20 ( 4 ) : 432 – 6 . Lisa Wiegel, Lisa Uytterhoeven and Peter M. Boenisch (trans) (doi:10.1080/10486801.2010.506351)
   Web of Science ®Google Scholar
• Jackson , Shannon . 2011 . Social Works: Performing art, supporting publics , London : Routledge .
   Google Scholar
• Jubb , David . 2012 . Interview with the author, The Biscuit Factory, London, 4 August 2012
   Google Scholar
• Kershaw , Baz . 2001 . Oh for unruly audiences!: Or, patterns of participation in twentieth-century theatre . Modern Drama , 44 ( 2 ) : 133 – 54 . (doi:10.3138/md.44.2.133)
   Web of Science ®Google Scholar
• Lenderman , Max . 2006 . Experience the Message: How experiential marketing is changing the brand world , New York : Carroll & Graf Publishers .
   Google Scholar
• Luhmann , Niklas . 1993 . Risk: A sociological theory , Berlin : Walter de Gruyter . trans. Rhodes Barrett
   Google Scholar
• Lyng , Stephen . 2005 . “ Sociology of the edge: Social theory and voluntary risk taking ” . In Edgework: The sociology of risk-taking , Edited by: Lyng , Stephen . 17 – 49 . London : Routledge .
   Google Scholar
• Machon , Josephine . 2009 . (Syn)Aesthetics: Redefining visceral performance , Basingstoke : Palgrave Macmillan .
   Google Scholar
• Nield , Sophie . 2008 . The rise of the character named spectator . Contemporary Theatre Review , 18 ( 4 ) : 531 – 44 . (doi:10.1080/10486800802492855)
   Google Scholar
• Owen , Louise . 2009 . “ Performing “risk”: Neoliberalization and contemporary performance ” . Queen Mary, University of London . dissertation
   Google Scholar
• Phelan , Peggy . 1993 . Unmarked: The politics of performance , New York : Routledge .
   Google Scholar
• Pine , Joseph B. II and Gilmore , James H. 1999 . The Experience Economy: Work is theatre & every business a stage , Boston : Harvard Business School Press .
   Google Scholar
• Poe , Edgar Allen . 1998 . Selected Tales , Edited by: David , Van Leer . Oxford : Oxford UP .
   Google Scholar
• Punchdrunk . 2011 . www.punchdrunk.org.uk, accessed 22 November 2012
   Google Scholar
• Rebellato , Dan . 2009 . Theatre & Globalization , Basingstoke : Palgrave Macmillan .
   Google Scholar
• Reith , Gerda . 2008 . “ Living with risk: Chance, luck and the creation of meaning in uncertainty ” . In The Aesthetics of Risk: Volume 3 of the SoCCAS Symposia , Edited by: Welchman , John . 57 – 78 . Zurich : JRP Ringier .
   Google Scholar
• Renn , Ortwin and Rohrmann , Bernd . 2000 . “ Risk perception research: An introduction ” . In Cross-Cultural Risk Perception: A survey of empirical studies , Edited by: Renn , Ortwin and Rohrmann , Bernd . 11 – 53 . London : Kluwer Academic Publishers .
   Google Scholar
• Schmitt , Bernd H. 1999 . Experiential Marketing: How to get customers to SENSE, FEEL, THINK, ACT, and RELATE to your company and brands , New York : The Free Press .
   Google Scholar
• Sennett , Richard . 2008 . The Craftsman , London : Penguin .
   Google Scholar
• Silvestre , Agnès . 2012 . Punchdrunk and the Politics of Spectatorship . Culturebot , www.culturebot.net/2012/11/14997/punchdrunk-and-thepolitics-of-spectatorship/, accessed 16 November 2012
   Google Scholar
• Slovic , Paul . 2000 . “ Introduction and overview ” . In The Perception of Risk , Edited by: Slovic , Paul . xxi – xxxvii . London : Earthscan .
   Google Scholar
• Slovic , Paul , Fischhoff , Baruch and Lichtenstein , Sarah . 2000 . “ Cognitive processes and societal risk taking ” . In The Perception of Risk , Edited by: Slovic , Paul . 32 – 50 . London : Earthscan .
   Google Scholar
• Tversky , Amos and Kahneman , Daniel . 1974 . Judgment under uncertainty: Heuristics and biases . Science , 185 ( 4,157 ) : 1,124 – 31 .
   Google Scholar
• White , Gareth . 2012 . On immersive theatre . Theatre Research International , 37 ( 3 ) : 221 – 35 . (doi:10.1017/S0307883312000880)
   Web of Science ®Google Scholar
• Worthen , W. B. 2012 . “The written troubles of the brain”: Sleep No More and the space of character . Theatre Journal , 64 : 79 – 97 . (doi:10.1353/tj.2012.0017)
   Web of Science ®Google Scholar