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Performance Research
A Journal of the Performing Arts
Volume 19, 2014 - Issue 1: On Abjection
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Original Articles

A Story of Rats

Associations on Bataille's simulacrum of abjection

REFERENCES

  • Agamben, G. (1995) Homo Sacer: Sovereign power and bare life, trans. Daniel Heller-Roazen, Palo Alto: Stanford University Press.
  • Bataille, G. (1999) ‘Abjection and miserable forms’, in Sylvère Lotringer and Chris Kraus (eds) More & Less, New York: Semiotext(e)/Autonomedia: 8–13.
  • Bataille, G. (1988) The Accursed Share, Volume I, trans. Robert Hurley, New York: Zone.
  • Bataille, G. (1991) The Impossible: A Story of Rats followed by Dianus and by The Oresteia, trans. Robert Hurley, San Francisco: City Lights.
  • Bataille, G. (1994) On Nietzsche, trans. Bruce Boone, New York: Paragon House.
  • Bataille, G. (1992) Theory of Religion, trans. Robert Hurley, New York: Zone.
  • Bataille, G. (1985a) Visions of Excess: Selected writings, 1927–1939, ed. Allan Stoekl, trans. Allan Stoekl, with Carl R. Lovitt and Donald M. Leslie, Jr, tMinneapolis: University of Minnesota Press.
  • Bataille, G. (1985b) ‘Formless’, in Georges Bataille, Visions of Excess: Selected writings, 1927–1939, ed. Allan Stoekl, trans. Allan Stoekl, with Carl R. Lovitt and Donald M. Leslie, Jr, Minneapolis: University of Minnesota Press, p. 31.
  • Blanchot, M. (1998) ‘Affirmation and the passion of negative thought’, in Fred Botting and Scott Wilson (eds) Bataille: A critical reader, Malden, Massachusetts: Blackwell.
  • Ferenczi, S. (1994) ‘The ontogenesis of the interest in money’, in Sándor Ferenczi, First Contributions to Psychoanalysis, London: Karnac.
  • Foster, H., B. Buchloh, R. Krauss, Y.-A. Bois, D. Hollier and H. Molesworth (1994) ‘The politics of the signifier II: A conversation on the “informe” and the abject’, October 67 (Winter): 3–21.
  • Foster, H. (2001) The Return of the Real, Cambridge, Massachusetts: MIT Press.
  • Freud, S. (1963) ‘Notes upon a case of obsessional neurosis’, in Sigmund Freud, Three Case Histories, New York: Macmillan.
  • Hegarty, P. (2006) ‘As Above So Below: Informe/sublime/ abject’, in Andrew Hussey (ed.) The Beast at Heaven's Gate: Georges Bataille and the art of transgression, New York: Rodopi: 73–80.
  • Hollier, D. (1989) Against Architecture: The writings of Georges Bataille, trans. Betsy Wing, Cambridge, Massachusetts: MIT Press.
  • Jones, L. C. (1993) ‘Transgressive femininity: Art and gender in the sixties and seventies’, in Jane Philbrich (ed.) Abject Art: Repulsion and desire in American art, New York: Whitney Museum of Art, pp. 33–57.
  • Klossowski, P. (1995) ‘Of the simulacrum in Georges Bataille's Communication’, in Leslie Anne Boldt-Irons (ed.) On Bataille: Critical essays, New York: SUNY Press.
  • Krauss, R. (1997a) ‘The destiny of the informe’, in Rosalind E. Krauss and Yve-Alain Bois, Formless: A user's guide, New York: Zone, pp. 235–52.
  • Krauss, R. (1997b) ‘Uncanny’, in Rosalind E. Krauss and Yve-Alain Bois, Formless: A user's guide, New York: Zone, pp. 192–7.
  • Krauss, R. E., and Y.-A. Bois (1997a) Formless: A user's guide, New York: Zone.
  • Krauss, R. E., and Y.-A. Bois (1997b) ‘Part Object’, in Rosalind E. Krauss and Yve-Alain Bois Formless: A user's guide, New York: Zone, pp. 152–7.
  • Kristeva, J. (1982) Powers of Horror: An essay on abjection, trans. Leon S. Roudiez, New York: Columbia University Press.
  • Kristeva, J. (1998) ‘The subject in process’, in Patrick French and Roland-François Lack (eds) The Tel Quel Reader, London: Routledge: 133–78.
  • Lotringer, S., and C. Kraus, eds (1999) More & Less, New York: Semiotext(e)/Autonomedia.

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