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Performance Research
A Journal of the Performing Arts
Volume 20, 2015 - Issue 3: On Ruins and Ruination
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Original Articles

St Peter's Seminary, Cardross

The ruin of modernism

David ArchibaldCorrespondence[email protected]
&
Johnny Rodger
Pages 103-111 | Published online: 23 Jun 2015

REFERENCES

  • Benjamin, Walter (2007) Illuminations, trans. Harry Zorn, New York, NY: Schocken Books.
  • Bruno, Giuliana (2002) Atlas of Emotion: Journeys in art, architecture and film, London and New York, NY: Verso.
  • Eisenstein, Sergei M., Bois, Yve-Alain and Glenny, Michael (1989) ‘Montage and architecture’, Assemblage 10 (December): pp. 110–31. doi: 10.2307/3171145
  • Huyssen, Andreas. (2010) ‘Authentic ruins: Products of modernity’, in Julia, Hell and Andreas, Schönle (eds) Ruins of Modernity, Durham, NC: Duke University Press, pp. 17–28.
  • Janser, Andres (1997) ‘Only film can make the new architecture intelligible!: Hans Richter's Die neue Wohnung and the early documentary film on modern architecture’, in François, Penz and Maureen, Thomas (eds) Cinema & Architecture: Méliès, Mallet-Stevens, London: British Film Institute, pp. 34–49.
  • Le Corbusier (1924) Vers une Architecture, Paris: G. Crès et Cie.
  • Molkte, Johannes, von (2010) ‘Ruin cinema’, in Julia, Hell and Andreas, Schönle (eds) Ruins of Modernity, Durham, NC: Duke University Press, pp. 395–417.
  • Rodger, Johnny (2001) Edinburgh: A guide to recent architecture, London: Ellipsis.
  • Rodger, Johnny (ed.) (2007) Gillespie, Kidd & Coia, 1956–87, Edinburgh: RIAS.
  • Simmel, Georg (1958) ‘The ruin’, The Hudson Review 3: 379–85.

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