Publication Cover
Performance Research
A Journal of the Performing Arts
Volume 21, 2016 - Issue 3: On Dialectics
733
Views
1
CrossRef citations to date
0
Altmetric
Original Articles

Materiality as performance

Blurring the boundaries between the real and the imagined

References

  • Benjamin, Walter (1999) The Arcades Project, Cambridge, MA, and London: Harvard University Press.
  • Bogart, Anne and Tina Landau (2005) The Viewpoints Book: A practical guide to viewpoints and composition, New York: Theatre Communications Group.
  • Boniver, Tristan et al. (2010) usus/usures: How things stand, Brussels: Snel.
  • Clifford, James (1988) ‘On ethnographic surrealism’ in The Predicament of Culture. Twentieth-Century Ethnography, Literature and Art, Cambridge MA: Harvartd University Press, 117–51: 133.
  • Crang, Mike (2003) ‘‘Qualitative methods: Touchy, feely, look-see?’ Progress in Human Geography 27(4): 494–504. doi: 10.1191/0309132503ph445pr
  • Cresswell, Tim (1996) In Place. Out of Place, Minneapolis: University of Minnesota Press.
  • Daniels, Stephen (2011) ‘‘Geographical imagination’, Transactions of the Institute of British Geographers 36(2): 182–7. doi: 10.1111/j.1475-5661.2011.00440.x
  • De Certeau, Michel (1984) The Practice of Everyday Life, Berkeley, CA: University of California Press.
  • Dell’Aversano, Carmen (2008) ‘Beyond dream and reality: Surrealism as reconstruction’, Journal of Constructivist Psychology 21(4): 328–42. doi: 10.1080/10720530802255277
  • Deutsche, Rosalyn (1996) Evictions: Art and spatial politics, Cambridge, MA, and London: MIT Press.
  • Edensor, Tim (2007) ‘Sensing the ruin’, The Senses and Society 2(2): 217–32. doi: 10.2752/174589307X203100
  • Garrington, Abbie (2013) Haptic Modernism: Touch and the tactile in modernist writing, Edinburgh: Edinburgh University Press.
  • Gibson, James (1979) The Ecological Approach to Visual Perception, Boston: Houghton Mifflin.
  • Harvey, David (1996) Justice, Nature and the Geography of Difference, Cambridge, MA, and Oxford: Blackwell Publishers.
  • Harvey, David (2000) Spaces of Hope, Edinburgh: Edinburgh University Press.
  • Knappett, Carl (2004), ‘The affordance of things: A post-Gibsonian perspective on the relationality of mind and matter’, in Elizabeth DeMarrais, Chris Gosden, and Colin Renfrew (eds) Rethinking Materiality: The engagement of mind with the material world, Cambridge: MacDonald Institute Monographs, pp. 43–51.
  • Latham, Alan and Derek P. McCormack (2004) ‘Moving cities: Rethinking the materialities of urban geographies’, Progress in Human Geography 28(6): 701–24. doi: 10.1191/0309132504ph515oa
  • Latour, Bruno (2005) Reassembling the Social, New York: Oxford University Press.
  • Lin, Erika T. (2012) Shakespeare and the Materiality of Performance, New York: Palgrave Macmillan.
  • Lorimer, Hayden (2013) ‘Materialities’, in Nuala C. Johnson, Richard H. Schein and Jamie Winders (eds) The Wiley-Blackwell Companion to Cultural Geography, Chichester, West Sussex: John Wiley & Sons Ltd., pp. 32–5.
  • McTige, Trish (2013) The Haptic Aesthetic in Samuel Beckett’s Drama, New York: Palgrave Macmillan.
  • Mileaf, Janine A. (2010) Please Touch: Dada and Surrealist objects after the readymade, Lebanon: University Press of New England.
  • Nash, Catherine (2000) ‘Performativity in practice: Some recent work in cultural geography’, Progress in Human Geography 24(4): 653–64. doi: 10.1191/030913200701540654
  • Pearson, Mike (2010) Site-Specific Performance, Basingstoke: Palgrave Macmillan.
  • Phelan, Peggy (1993) Unmarked the Politics of Performance, London: Routledge.
  • Pinder, David (2005) Visions of the City, Edinburgh: Edinburgh University Press.
  • Read, Alan (1993) Theatre and Everyday Life. An ethics of performance, London and New York: Routledge.
  • Rose, Mitch (2002) ‘Landscapes and labyrinths’, Geoforum 33: 455–67. doi: 10.1016/S0016-7185(02)00030-1
  • Schneider, Rebecca (2011) Performing Remains: Art and war in times of theatrical reenactment, New York: Routledge.
  • Sheringham, Michael (2006) Everyday Life: Theories and practices from Surrealism to the present, Oxford: Oxford University Press.
  • Stewart, Susan (1993) On Longing, Durham, NC, and London: Duke University Press.
  • Taylor, Diana (2007) The Archive and the Repertoire, Durham, NC: Duke University Press.
  • Thrift, Nigel J. (2008) Non-representational Theory: Space, politics, affect, New York, NY: Routledge.
  • Till, Jeremy (1994) ‘The urban miniature’, in The Urban Scene and the History of the Future. pp. 239–41.
  • Wylie, John (2002a) ‘An essay on ascending’, Geoforum 33: 441–54. doi: 10.1016/S0016-7185(02)00033-7
  • Wylie, John (2002b) ‘Becoming icy: Scott and Amundsen’s South Polar Voyages’, 1910–1913’, Cultural Geographies 9(3): 249–65. doi: 10.1191/1474474002eu247oa

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.