References
- Anonymous (2014) Online Audience Feedback for ‘A Roving Soul: Walking the City with Walter Benjamin’, unpublished.
- Barthes, Roland (2009) Mythologies, trans. A. Lavers, London: Vintage.
- Benjamin, Walter (1997) Charles Baudelaire: A lyric poet in the era of high capitalism, trans. H. Zohn, London: Verso.
- Benjamin, Walter (2002 [1940]) The Arcades Project, ed. R. Tiedemann, trans. H. Eiland and K. McLaughlin, Cambridge, MA: Harvard University Press.
- Benjamin, Walter (2007) ‘Theses on the philosophy of history’, in Illuminations: Essays and reflections, ed. H. Arendt, trans. H. Zohn, New York: Schocken Books.
- Bishop, Claire (2012) Artificial Hells: Participatory art and the politics of spectatorship, London: Verso.
- Bruner, Jerome S. (1986) Actual Minds, Possible Worlds, London: Harvard University Press.
- Edinborough, Campbell (2014) A Roving Soul: Walking the city with Walter Benjamin, Being Human: Festival of the Humanities, School of Advanced Studies, https://itunes.apple.com/gb/podcast/roving-soul-university-hull/ id940073753?mt=2. Last accessed 13th April 2016
- Jennings, Michael (2006) ‘Walter Benjamin and the European Avant-Garde’, in David S. Ferris (ed.) The Cambridge Companion to Walter Benjamin, Cambridge: Cambridge University Press, pp.18–34.
- Machon, Josephine (2011) (Syn)aesthetics: Redefining visceral performance, Basingstoke: Palgrave Macmillan.
- Rancière, Jacques (2011) The Emancipated Spectator, trans. G. Elliott, London: Verso.
- Schechner, Richard (1994 [1973]) Environmental Theatre, New York: Applause Books.
- White, Gareth (2013) Audience Participation in Theatre: Aesthetics of invitation, Basingstoke: Palgrave Macmillan.
- White, Gareth (2015) Applied Theatre: Aesthetics, London: Bloomsbury.