Advanced search
Publication Cover
Performance Research
A Journal of the Performing Arts
Volume 21, 2016 - Issue 3: On Dialectics
Journal homepage
731
Views
1
CrossRef citations to date
0
Altmetric
Original Articles

Constructing Dialectical Images in Sound and Space

Adapting Walter Benjamin’s The Arcades Project

Campbell Edinborough
Pages 47-53 | Published online: 09 Jun 2016

References

  • Anonymous (2014) Online Audience Feedback for ‘A Roving Soul: Walking the City with Walter Benjamin’, unpublished.
  • Barthes, Roland (2009) Mythologies, trans. A. Lavers, London: Vintage.
  • Benjamin, Walter (1997) Charles Baudelaire: A lyric poet in the era of high capitalism, trans. H. Zohn, London: Verso.
  • Benjamin, Walter (2002 [1940]) The Arcades Project, ed. R. Tiedemann, trans. H. Eiland and K. McLaughlin, Cambridge, MA: Harvard University Press.
  • Benjamin, Walter (2007) ‘Theses on the philosophy of history’, in Illuminations: Essays and reflections, ed. H. Arendt, trans. H. Zohn, New York: Schocken Books.
  • Bishop, Claire (2012) Artificial Hells: Participatory art and the politics of spectatorship, London: Verso.
  • Bruner, Jerome S. (1986) Actual Minds, Possible Worlds, London: Harvard University Press.
  • Edinborough, Campbell (2014) A Roving Soul: Walking the city with Walter Benjamin, Being Human: Festival of the Humanities, School of Advanced Studies, https://itunes.apple.com/gb/podcast/roving-soul-university-hull/ id940073753?mt=2. Last accessed 13th April 2016
  • Jennings, Michael (2006) ‘Walter Benjamin and the European Avant-Garde’, in David S. Ferris (ed.) The Cambridge Companion to Walter Benjamin, Cambridge: Cambridge University Press, pp.18–34.
  • Machon, Josephine (2011) (Syn)aesthetics: Redefining visceral performance, Basingstoke: Palgrave Macmillan.
  • Rancière, Jacques (2011) The Emancipated Spectator, trans. G. Elliott, London: Verso.
  • Schechner, Richard (1994 [1973]) Environmental Theatre, New York: Applause Books.
  • White, Gareth (2013) Audience Participation in Theatre: Aesthetics of invitation, Basingstoke: Palgrave Macmillan.
  • White, Gareth (2015) Applied Theatre: Aesthetics, London: Bloomsbury.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Order Reprints Request Corporate Permissions

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

Request Academic Permissions

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.

Related research

People also read lists articles that other readers of this article have read.

Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine.

Cited by lists all citing articles based on Crossref citations.
Articles with the Crossref icon will open in a new tab.