References
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- Arons, Wendy, and Theresa May, eds. (2012) Readings in Performance and Ecology (What is Theatre?), New York: Palgrave Macmillan.
- Bennett, Jane (2010) Vibrant Matter: A Political Ecology of Things, London: Duke University Press.
- Gregory, Richard, Katie Mitchell, Noel Witts, Alan Lyddiard, Sharon Watson, and Henry Smith (2010) ‘Answer the question: “What is the problem with training”?’, Theatre, Dance and Performance Training 1(2): 231–6. doi: 10.1080/19443927.2010.507039
- Gregory, Richard (2014) Unpublished interview Sarah Hopfinger with Richard Gregory (audio recording).
- Heddon, Deirdre, and Sally Mackey (2012) ‘Environmentalism, performance and applications: Uncertainties and emancipations’, Research in Drama Education 17(2): 63–192. doi: 10.1080/13569783.2012.670421
- Kershaw, Baz (2007) Theatre Ecology, Cambridge: Cambridge University Press.
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- Lavery, Carl (2016) ‘Introduction: Performance and ecology – what can theatre do?’, Green Letters 20(3): 229–36. doi: 10.1080/14688417.2016.1206695
- Naess, Arne (1989 [1976]) Ecology, Community and Lifestyle, trans. D. Rothenberg, Cambridge: Cambridge University Press.
- Orozco, Lourdes (2010) ‘”Never work with children and animals”: Risk, mistake and the real in performance’, Performance Research 15(2): 80–5. doi: 10.1080/13528165.2010.490435
- Quick, Andrew (2006) ‘The gift of play: Ubung and the secret signal of gesture’, in J. Kelleher and Nicholas Ridout (eds.) Contemporary Theatres in Europe: A Critical Companion, Abingdon: Routledge, pp. 149–62.
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- Wilson, Harry (2012) ‘The director of devised theatre: Facilitating, collaboration, ownership and empowerment], MPhil(R) thesis, University of Glasgow, Scotland, http://theses.gla.ac.uk/3382/1/2012WilsonMPhil.pdf, accessed 5 August 2015.