References
- Hantelmann, Dorothea von (2010) How to Do Things With Art: The Meaning of Art’s Performativity, Zürich: JRP|Ringier.
- Hildebrandt, Antje (2015) ‘Participation and spectatorship in Tino Sehgal’s These Associations’, Choreographic Practices 6(2): 251–9. doi: 10.1386/chor.6.2.251_1
- Jackson, Shannon (2011) Social Works: Performing Art, Supporting Publics, New York: Routledge.
- Pape, Toni, Noémie Solomon and Alanna Thain (2014) ‘Welcome to This Situation: Tino Sehgal’s impersonal ethics’, Dance Research Journal 46(3): 89–100. doi: 10.1017/S0149767714000370
- Paramana, Katerina (2014) ‘On resistance through ruptures and the rupture of resistances’, Performance Research: A Journal of the Performing Arts 19(6): 81–9. doi: 10.1080/13528165.2014.985112
- Richards, Mary (2012) ‘This progressive production: Agency, durability and keeping it contemporary’, Performance Research: A Journal of the Performing Arts 17(5): 71–7. doi: 10.1080/13528165.2012.728447