References: The Child as Art Object in Tino Sehgal’s Ann Lee, Ann Lee & Marcel and This Progress

Performance Research

A Journal of the Performing Arts

Volume 23, 2018 - Issue 1: On Children

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References

Hantelmann, Dorothea von (2010) How to Do Things With Art: The Meaning of Art’s Performativity, Zürich: JRP|Ringier.
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Hildebrandt, Antje (2015) ‘Participation and spectatorship in Tino Sehgal’s These Associations’, Choreographic Practices 6(2): 251–9. doi: 10.1386/chor.6.2.251_1
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Jackson, Shannon (2011) Social Works: Performing Art, Supporting Publics, New York: Routledge.
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Pape, Toni, Noémie Solomon and Alanna Thain (2014) ‘Welcome to This Situation: Tino Sehgal’s impersonal ethics’, Dance Research Journal 46(3): 89–100. doi: 10.1017/S0149767714000370
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Paramana, Katerina (2014) ‘On resistance through ruptures and the rupture of resistances’, Performance Research: A Journal of the Performing Arts 19(6): 81–9. doi: 10.1080/13528165.2014.985112
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Richards, Mary (2012) ‘This progressive production: Agency, durability and keeping it contemporary’, Performance Research: A Journal of the Performing Arts 17(5): 71–7. doi: 10.1080/13528165.2012.728447
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The Child as Art Object in Tino Sehgal’s Ann Lee, Ann Lee & Marcel and This Progress

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The Child as Art Object in Tino Sehgal’s Ann Lee, Ann Lee & Marcel and This Progress

A reflection

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