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Performance Research
A Journal of the Performing Arts
Volume 23, 2018 - Issue 2: On Writing & Performance
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Original Articles

Talking Text and Writing Extemporaneity

Aligning David Antin's talk performance and editorial practices

References

  • Antin, David (1971a) ‘Talking at Pomona’ transcript, Box 35, Folder 7, ‘David Antin Papers, 1954–2006’, Getty Research Institute, Los Angeles.
  • Antin, David (1971b) ‘Talking at Pomona’ manuscript, Box 35, Folder 7, ‘David Antin Papers, 1954–2006’, Getty Research Institute, Los Angeles.
  • Antin, David (1971c) ‘Talking at Pomona’ recording, Box 79, C6, ‘David Antin Papers, 1954–2006’, Getty Research Institute, Los Angeles.
  • Antin, David (1972) Talking, New York, NY: Kulchur Foundation.
  • Antin, David (2011) ‘“the death of the hired man”’, Radical Coherency: Selected essays on art and literature, 1966 to 2005, Chicago, IL: University of Chicago Press: 271–291.
  • Antin, David (2013) Author interview, San Diego, CA, 13 June.
  • Antin, David and Charles Bernstein (2002) A Conversation with David Antin, New York, NY: Granary Books.
  • Bauman, Richard and Briggs, Charles L. (1990) ‘Poetics and performance as critical perspectives on language and social Life’, Annual Review of Anthropology 19 (1 January): 59–88. doi: 10.1146/annurev.an.19.100190.000423
  • Perloff, Marjorie (1983) Chapter 8: “No more margins”: John Cage, David Antin, and the poetry of performance’, in The Poetics of Indeterminacy: Rimbaud to Cage, Evanston, IL: Northwestern University Press.
  • Sayre, Henry M. (1989) The Object of Performance: the American avant-garde since 1970, Chicago, IL: University of Chicago Press.
  • Schechner, Richard (1988) ‘Chapter 8: Magnitudes of performance’, in Performance Theory (rev. and expanded edn), New York, NY: Routledge: 251–288.

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