REFERENCES
- Applewhite, Ashton (2016) This Chair Rocks: A manifesto against ageism, New York, NY: Networked Books.
- Chekhov, Anton (1997 [1898]) The Plays of Anton Chekhov, trans. Paul Schmidt, New York, NY: HarperCollins.
- Danilova, Asya and Xia, Ran (2018) ‘This Was The End: Theater review’, Theater is Easy, 12 June, accessed 15 August.
- Ferdman, Bertie (2014) ‘Performing age: Mallory Catlett’s This Was The End’, HowlRound, http://bit.ly/2YVmQML, 10 April, accessed 18 May 2018.
- Lessing, Doris (1974) Memoirs of a Survivor, London: Octagon Press.
- Netburn, Deborah (2016) ‘The aging paradox: The older we get, the happier we are’, LA Times, https://www.latimes.com/science/sciencenow/la-sci-sn-older-people-happier-20160824-snap-story.html, accessed 10 Aug 2018.
- Olmos, Matthew Paul (2014) ‘This Was The End’, New York Theatre Review, http://bit.ly/2UAmqfx, 26 February, accessed 18 May 2018.
- Proust, Marcel (1934 [1919 and 1922]) Remembrance of Things Past, Vols 1 and 2, trans. Charles Kenneth Scott Montcrieff and Frederick Blossom, New York, NY: Random House.
- Rizzo, Jessica (2018) ‘Vanyamachine: Mallory Catlett’s “This Was The End”‘, The Theatre Times, http://bit.ly/2WRYxh3, 15 June, accessed 15 August
- Shattuck, Roger (1983 [1962]) Proust’s Binoculars: A Study of Memory, Time and Recognition in A La Recherche du Temps Perdu, Princeton, NJ: Princeton University Press.
- Shaw, Helen (2014) ‘This Was The End: Theater review’, Time Out NY, www.timeout.com/newyork/theater/this-was-the-end, 6 March, accessed 18 May 2018.
- Soloski, Alexis (2018) ‘Review: “This Was the End,” a Spectral Riff on Chekhov’, The New York Times, C4.