REFERENCES
- Auslander, Phillip (1999) Liveness: Performance in a mediatized culture, Abingdon: Routledge.
- Bleeker, Maaike (2008) Visuality in the Theatre: The locus of looking, Basingstoke: Palgrave Macmillan.
- Cull Ó Maoilearca, Laura (2013) Theatres of Immanence: Deleuze and the ethics of performance, Basingstoke: Palgrave Macmillan.
- Féral, Josette (2002) ‘Foreward’, SubStance 31(2/3): 3–13. doi: 10.1353/sub.2002.0025
- Fisher, Mark (2014) Ghosts of My Life: Writings on depression, hauntology and lost futures, Alresford: Zero Books.
- Fried, Michael (1998 [1967]) Art and Objecthood: Essays and reviews, Chicago, IL: University of Chicago Press.
- Gieskam, Greg (2007) Staging the Screen: The use of film and video in theatre, Basingstoke: Palgrave Macmillan.
- Lehmann, Hans-Thies (2006) Postdramatic Theatre, ed. Katherine Jürs-Munby, London and New York, NY: Routledge.
- Melville, Stephen (1981) ‘Notes on the reemergence of allegory, the forgetting of modernism, the necessity of rhetoric, and the conditions of publicity in art and criticism’, October 19: 55–92.
- Morton, Timothy (2017) Humankind: Solidarity with nonhuman people, London: Verso.
- Moten, Fred (2003) In the Break: the Aesthetics of the Black Radical Tradition, Minneapolis, University of Minnesota Press.
- Quick, Andrew (2007) The Wooster Group Workbook, New York, NY: Routledge.
- Savran, David (1986) Breaking the Rules: The Wooster Group, New York, NY: Theatre Communications Group.
- Wilson, Robert (2013) Personal conversation during the Watermill Center Summer Program.