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Performance Research
A Journal of the Performing Arts
Volume 24, 2019 - Issue 4: On Theatricality
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Articles

On the Theatricality of Sign Languages on Stage

REFERENCES

  • Bauman, H, Dirksen L. (2006) ‘Getting out of line: Toward a visual and cinematic poetics of ASL’, in H. Dirksen Bauman, Jennifer Nelson and Heidi Rose (eds) Signing the Body Poetic, California: University of California Press. Online at: www.jstor.org/stable/10.1525/j.ctt1ppqdb
  • Davis, Tracy and Postlewait, Thomas (2003) Theatricality, Cambridge: Cambridge University Press.
  • Equal Voices Arts (2016) At the End of My Hands, http://bit.ly/2lWIMIs, accessed 19 November 2018.
  • Equal Voices Arts (2017) Salonica, http://bit.ly/2kDyaxY , accessed 19 November 2018.
  • Heffley, Lynne (2000) Deaf West Theatre expands the art of storytelling for kids, LA Times, https://lat.ms/2lYGWqx, 12 October.
  • Ladd, Paddy (2003) Understanding Deaf Culture: In search of deafhood, Bristol, GA and Blue Ridge Summit, PA: Multilingual Matters.
  • Moody, Alys (2016) ‘At The End Of My Hands’ (review), Theatre Journal 68(3) (September): 450–3. doi: 10.1353/tj.2016.0078
  • O’Reilly, Kaite (2001) ‘What words look like in the air: The multivocal performance of Common Ground Sign Dance Theatre’, Contemporary Theatre Review, 11: 3–4, 41–47. doi: 10.1080/10486800108568637
  • O’Reilly, Kaite (2014) ‘Making language visual: An interview with Jean St Clair’, Kaite O’Reilly wordpress post, http://bit.ly/2lUjL0v, 15 September 2018.
  • O’Reilly, Kaite (2017) ‘But you know I don’t think in words’, in Gabriele Brandsetter and Holger Hartung (eds) Moving (Across) Borders, London: Transcript Verlag, pp. 93–116.
  • Sacks, Oliver (1990) Seeing Voices: A journey into the world of the deaf, New York, NY: Harper-Perennial.

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