REFERENCES
- Barthes, Roland (1972) ‘Baudelaire’s Theater’, in Critical Essays, trans. Richard Howard, Evanston, IL: Northwestern, pp. 25–31.
- Barthes, Roland (1993) Camera Lucida: Reflections on photography, trans. Richard Howard, London: Vintage.
- Barthes, Roland (2002) S/Z, trans. Richard Miller, London: Blackwell.
- Barthes, Roland (2005) The Neutral: Lecture course at the Collège de France, 1977–1978, trans Rosalind Kraus and Denis Hollier, New York, NY: Columbia University Press.
- Bel, Jérôme (2002) ‘Interview with Marianne Alphant’, www.jeromebel.fr/index.php?p=5&cid=205, accessed 9 October 2017.
- Benjamin, Walter (1998) ‘What is epic theater’, in Understanding Brecht, trans. Anna Bostock, London and New York, NY: Verso, pp. 1–22.
- Benjamin, Walter (1999) The Arcades Project, trans Howard Eiland and Kevin McLaughlin, Cambridge, MA and London: The Belknap Press of Harvard University Press.
- Bottoms, Stephen (1998) ‘The tangled flora of Goat Island: Rhizome, repetition, reality’, Theatre Journal 50(4): 421–46. doi: 10.1353/tj.1998.0100
- Bottoms, Stephen and Goulish, Matthew, eds (2007) Small Acts of Repair: Performance, ecology and Goat Island, Abingdon, Oxon: Routledge.
- Brinkema, Eugenie (2014) The Forms of the Affects, Durham, NC: Duke University Press.
- Cull, Laura, ed. (2014) Encounters in Performance Philosophy, Basingstoke: Palgrave Macmillan.
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- Fried, Michael (2008) Why Photography Matters as Art as Never Before, New Haven, CT: Yale University Press.
- Fried, Michael (2011) Four Honest Outlaws: Sala, Ray, Marioni, Gordon, New Haven, CT: Yale University Press.
- Hansen, Mark (2004) ‘The time of affect, or bearing witness to life’, Critical Inquiry 30(3): 584–626. doi: 10.1086/421163
- Kelleher, Joe (2015) The Illuminated Theatre: Studies on the suffering of images, London: Routledge.
- Knight, Diana (1997) Barthes and Utopia: Space, travel, writing, Oxford: Clarendon Press.
- Lehmann, Hans-Thies (2016) Tragedy and Dramatic Theatre, trans. Erik Butler, London: Routledge.
- Lepecki, André (2006) Exhausting Dance: Performance and the politics of movement, Abingdon, Oxon: Routledge.
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- Ridout, Nicholas (2006) Stage Fright, Animals, and Other Theatrical Problems, Cambridge: Cambridge University Press.
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- Wilder, Ken (2012) ‘Michael Fried and beholding video art’, Estetika: The Central European journal of aesthetics 1: 5–25.
- Wilson, Harry Robert (2017) ‘The theatricality of the punctum: Re-viewing Roland Barthes’ Camera Lucida’, Performance Philosophy Journal 3(1): 266–84. doi: 10.21476/PP.2017.31126