REFERENCES
- Ahmed, Sara (2014 [2004]) The Cultural Politics of Emotion, Edinburgh: Edinburgh University Press.
- Bennett, Jill (2005) Empathic Vision: Affect, trauma and contemporary art, Stanford, CA: Stanford University Press.
- Bennett, Jill (2012) Practical Aesthetics: Events, affects and art after 9/11, London and New York, NY: I.B. Taurus.
- Billington, Michael (2016) ‘Cleansed review, Katie Mitchell plunges us into Sarah Kane’s Chamber of Horrors’, The Guardian, http://bit.ly/2LTK55p, 24 February, accessed 30 November 2018.
- Clapp, Susannah (2016) ‘Cleansed review: The first cut was the deepest’, The Guardian, http://bit.ly/31UZojV, 28 February, accessed 30 November 2018.
- Damasio, Antonio (2000) The Feeling of What Happens: Body, emotion and the making of consciousness, London: Vintage.
- Evans, Mary (2016) ‘The body, a battleground’, National Theatre Programme for Cleansed by Sarah Kane.
- Foucault, Michel (1995 [1975]) ‘Panopticism’, in Discipline & Punish: The birth of the prison, trans. A. Sheridan, London: Vintage Books, pp. 195–228.
- Gallagher, Shaun (2017) ‘Self-defense: Deflecting deflationary and eliminativist critiques of the sense of ownership’, Frontiers in Psychology 8: 1,612. doi: 10.3389/fpsyg.2017.01612
- Guillot, Marie (2017) ‘I Me Mine: on a confusion concerning the subjective character of experience’, Review of Philosophy and Psychology 8: 23, https://doi.org/10.1007/s13164-016-0313-4, accessed 30 November 2018.
- Kane, Sarah (1998) Cleansed, London: Methuen.
- Mitchell, Katie (2004) ‘Acting out: The science of emotion on stage’, The Guardian, http://bit.ly/2APkdl9, 25 September, accessed 30 November 2018.
- Mitchell, Katie (2009) The Director’s Craft: A handbook for the theatre, London: Routledge.
- Muller, Lizzie, Froggett, Lynn and Bennett, Jill (2018) ‘Emergent knowledge in the Third Space of art-science’, Leonardo: 1–11.
- Ratcliffe, Matthew (2017) ‘Empathy and psychiatric illness’, in Heidi Maiborn (ed.) The Routledge Handbook of the Philosophy of Empathy, London: Routledge, pp. 190–200.
- Reason, Matthew (2003) ‘Archive or memory? The detritus of live performance’, New Theatre Quarterly 19: 82–9. doi: 10.1017/S0266464X02000076
- Rebellato, Dan (2016) ‘Scorched Earth: Sarah Kane’s goodbyes’, National Theatre Programme for Cleansed by Sarah Kane.
- Spencer, Charles (2001) ‘Admirably repulsive’, The Daily Telegraph, http://bit.ly/31Secju, 5 April, accessed 30 November 2018.
- Spencer, Charles (2007) ‘Women of Troy: Euripides all roughed up’, The Daily Telegraph, http://bit.ly/35gxVvi, 30 November, accessed 30 November 2018.
- Trueman, Matt (2016) ‘Cleansed is more than just shock theatre’, What’s on Stage, http://bit.ly/2VmRZr2, 29 February, accessed 30 November 2018.
- de Vignemont, Frédérique (2017) ‘Mind the Body: An exploration of bodily self-awareness, Oxford: Oxford University Press.