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Performance Research
A Journal of the Performing Arts
Volume 24, 2019 - Issue 6: On Animism
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Articles

Becoming Doll

Radical objectification in the performance of Freddie Mercado

REFERENCES

  • Dagan, Esther (1990) African Dolls for Play and Magic, Montreal: Galerie Amrad Afrikan Arts.
  • Doris, David (2005) ‘Symptoms and strangeness in Yorùbá anti-aesthetics’, African Arts 38(4): 24–31. doi: 10.1162/afar.2005.38.4.24
  • Espejo: Las Caras de Freddie (2014) Jornada Extra news program, Fundación Prensa Civil Quisqueyana, 2 June, https://bit.ly/2N7hYPH, accessed 28 August 2018.
  • Freud, Sigmund (1955 [1919]) ‘The uncanny’, in James Strachey (ed.) The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume XVII (1917– 1919): An infantile neurosis and other works, London: The Hogarth Press, pp. 217–56.
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  • Mercado, Freddie (2014) Interview with Marina Barsy Janer. 24 October.
  • Mercado, Freddie, Awilda Sterling- Duprey, Lowell Fiet, Lilliana Ramos Collado, Eduardo Alegría and José Álvarez Colón (2013) ‘The recent history of Puerto Rican performance art (2003–2013)’, MIND THE GAP: Performative- symposium, 2 May, Puerto Rico Museum of Contemporary Art, San Juan, https://bit.ly/2W96nDP, accessed 15 January 2019.
  • Muñoz, José Esteban (1999) Disidentifications: Queers of Color and the performance of politics, Minneapolis: University of Minnesota Press.
  • Ramírez, Mercedes (1999) ‘España mira a nuestros artistas’, El Nuevo Día, 10 January, pp. 12–17.
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  • Santos Febres, Mayra (2003) ‘La identidad es una ficción. Freddy Mercado’, Orificio 3: 39–40.
  • Viarnes, Carrie (2010) ‘Muñecas and memoryscapes: Negotiating Identity and History in Cuban Espiritismo’, in Andrew Apter and Lauren Derby (eds.) Activating the Past: History and Memory in the Black Atlantic World, New Castle upon Tyne: Cambridge Scholars, pp. 319–69.

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