REFERENCES
- Agamben, Giorgio (1989) ‘Il silenzio delle parole’ (The silence of words), in In cerca di frasi vere (Looking for true sentences), Roma- Bari: Laterza.
- Alba Rico, Santiago (2017) Ser o no ser un cuerpo (To be or not to be a body), Barcelona: Seix Barral.
- Bachmann, Ingeborg (1995) Ultimos poemas (Last poems), Madrid: Hiperión.
- Bernstein, Charles (1998) A Poetics, Cambridge, MA: Harvard University Press.
- Cage, John (2002) Silencio (Silence), Madrid: Ardora Ediciones.
- Cavarero, Adriana (2003) A più voci. Filosofia delĺespressione vocale (With multiple voices. A philosophy of vocal expression), Milano: Feltrinelli.
- Cavarero, Adriana (2009) Horrorismo. Nombrando la violencia contemporánea (Horrorism. Naming contemporary violence), Barcelona: Anthropos Editorial.
- Dolar, Mladen (2006) A Voice and Nothing More, Cambridge, MA: The MIT Press.
- El Público (2016) Un corazón y 45 cerebros rojos que el franquismo no pudo borrar (A heart and 45 red brains that Franco could not erase), 26 August, accesed 1 April 2019.
- Hejinian, Lyn (2000) The Language of Inquiry, California: University of California Press.
- Le Breton, David (2009) El silencio. Aproximaciones (The silence. Approximations), Paris: Ediciones Métailié.
- Le Guin, Ursula K. (2018) Contar es escuchar. Sobre la escritura, la lectura, la imaginación (To count is to listen. About writing, reading, imagination), Madrid: Círculo de Tiza.
- Riera, Alejandra (dir.) (2016) < … – ophéra–muet – … >, fragments of an unfinished film. Made with the complicity of the theatre company UEINZZ. Filmed in Buenos Aires from February to April 2014 and in December 2015.
- Rozas, Ixiar (2015) ‘Pulsión textual’ (Textual drive), in Ixiar Rozas and Quim Pujol (eds) Ejercicios de ocupación. Afectos, vida y trabajo (Occupancy Exercises. Affections, life and work), Barcelona: Mercat de las Flors/ Polígrafa, pp. 107–25.
- Sánchez, José A. (2018) ‘Los límites de la ficción’ (The limits of fiction), 25 September, accessed 5 April 2019.
- Voegelin, Salomé (2010) Listening to Noise and Silence, London: Continuum.