REFERENCES
- Back to Back Theatre (2011) ‘About’, Back to Back Theatre Facebook Page, 3 August, https://www.facebook.com/backtobacktheatre/, accessed 11 December 2019.
- Back to Back Theatre (2018) The Shadow Whose Prey the Hunter Becomes, unpublished script.
- Back to Back Theatre (2019) The Shadow Whose Prey the Hunter Becomes, project description, 23 July, https://backtobacktheatre.com/projects/shadow/, accessed 16 November 2019.
- Boon, Maxim (2016) ‘Director Bruce Gladwin goes back to back with God’, The Music, 6 October, http://bit.ly/38NfP5R, accessed 16 November 2019.
- Cornell, Drucilla (2000) Just Cause: Freedom, identity, and rights, Lanham, MD: Rowman & Littlefield.
- Dickson, Andrew (2018) ‘Shilpa Gupta: The artist bringing silenced poets back to life’, The Guardian, 25 July, http://bit.ly/35xCUHJ, accessed 16 November 2019.
- Eckersall, Peter and Eddie Paterson (2011) ‘Slow dramaturgy: Renegotiating politics and staging the everyday’, Australasian Drama Studies 58: 178–92.
- Grehan, Helena (2009) Performance, Ethics and Spectatorship in a Global Age, Basingstoke: Palgrave Macmillan.
- Grehan, Helena (2018) ‘First Nations politics in a climate of refusal’, Performance Research 23(3): 7–12. doi: 10.1080/13528165.2018.1495940
- Gupta, Shilpa (2019) For, In Your Tongue, I Cannot Fit, installation note, Venice Biennale.
- Irigaray, Luce (1996) I Love You: Sketch of a possible felicity in history, trans. Alison Martin, New York, NY: Routledge.
- Lipari, Lizbeth (2014) Listening, Thinking, Being: Toward an ethics of attunement, Pennsylvania: Penn State University Press.
- Trezise, Bryoni and Caroline Wake (2013) ‘Disabling spectacle: Curosity, contempt and collapse in performance theatre’, in Helena Grehan and Peter Eckersall (eds) ‘We’re People Who Do Shows’: Back to Back Theatre: Performance, politics, visibility, Aberysthwyth: Performance Research Books, pp. 118–31.
- Voegelin, Salomé (2019) The Political Possibility of Sound: Fragments of listening, New York, NY: Bloomsbury.