REFERENCES
- Bateson, Gregory (1987) Steps to an Ecology of Mind, Chicago, IL and London: Chicago University Press.
- Flusser, Vilém (1988a) ‘On science’, Artforum, pp. 14–15, March.
- Flusser, Vilém (1988b) ‘On discovery’, Artforum, pp. 17–18 , summer.
- Flusser, Vilém (1988c) ‘On science’, Artforum, p. 9, October.
- Jacob, François (1977) ‘Evolution and tinkering’, Science 196(4,295): 1,161–6. doi: 10.1126/science.860134
- Jinek, Martin, Chylinski, Krzysztof, Fonfara, Ines, Hauer, Michael, Doudna, Jennifer A., Charpentier, Emmanuelle (2012) ‘A programmable dual-RNA-guided DNA endonuclease in adaptive bacterial immunity’, Science 337(6,096): 816–21. doi: 10.1126/science.1225829
- Leví-Strauss, Claude (1994) The Savage Mind, Oxford: Oxford University Press.
- Rifkin, Jeremy (1998) Biotech Century. Harnessing the genes and remaking the world, New York, NY: TarcherPerigee.
- Tratnik, Polona (2017) Conquest of Body. Biopower with biotechnology, Cham, Switzerland: Springer, 2017.
- Vacula, Matej (2017) ‘Biocollider. Genes, collaborations, and permissions with Adam Zaretsky’, https://bit.ly/2Bwb9pc, accessed 20 December 2019.
- We Make Money Not Art (2009) ‘Dangerous Liaisons and other stories of transgenic pheasant embryology’, interview with Adam Zaretsky by Régine Debatty, https://bit.ly/2ZWDNJB, 7 January, accessed 28 March 2020.
- Zaretsky, Adam (2004) ‘Vivavivo! Living art is dead’, Leonardo 37(1): 90–2. Also available: https://bit.ly/3jv7o4m , accessed 4 March 2019.
- Zaretsky, Adam (2005) ‘The mutagenic art’, CIAC’s electronic magazine 23, https://bit.ly/39tQHBJ accessed 2 March 2020.
- Zaretsky, Adam (2009a) ‘Public EcoArt Lab’, https://bit.ly/2WUynN0 accessed 14 March 2020.
- Zaretsky, Adam (2009b) ‘VASTAL lecture. Public EcoArt Lab’, https://bit.ly/2E7cJP5 accessed 14 March 2020. 14:43.
- Zaretsky, Adam (2009c) ‘VASTAL performance. Public Radical Food Science Lab’, https://bit.ly/39o2qBK accessed 14 March 2020. 27:01.
- Zaretsky, Adam (2010) ‘GFRP: The GloFish® Freedom and Reconciliation Project’, TDR: The drama review 54(4) (T208) (winter): 2–3. doi: 10.1162/DRAM_a_00020
- Zaretsky, Adam (2011a) ‘Dangerous Liaisons’, part 1, https://bit.ly/32PxFof accessed 28 March 2020.
- Zaretsky, Adam (2011b) ‘Dangerous Liaisons’, part 2, https://bit.ly/3fXLqER accessed 28 March 2020.
- Zaretsky, Adam (2011c) ‘Dangerous Liaisons’, part 3, https://bit.ly/30E65Yi accessed 28 March 2020.
- Zaretsky, Adam (2012) ‘Llowlab Lowlands’, https://bit.ly/32PPAeo accessed 14 March 2020. 38:01.
- Zaretsky, Adam (2013a) ‘Almost organic’, a lecture for the conference ‘Yes Naturally. Superplants: Towards a sustainable future’ accompanying the exhibition Yes Naturally. How art saves the world, The Hague Municipal Museum, 23 March 2013, https://bit.ly/2OUWs1P , accessed 14 March 2020. 24:06.
- Zaretsky, Adam (2013b) ‘BioSolar cells: Making a field for interpretation. Two year report and proposal for future research’, https://bit.ly/2OV9jkC accessed 14 March 2020.
- Zaretsky, Adam (2014a) ‘Animal enrichment and the The VivoArts School for Transgenic Aesthetics Ltd.’, Inflexions 7, ‘Animating biophilosophy’ (March 2014): 218–45, https://bit.ly/3jxngnb , accessed 28 March 2020.
- Zaretsky, Adam (2014b) ‘Errorarias: Concert for bipolar flowers’, Sylvius Lab, Leiden Institute of Biology, https://bit.ly/2ZXL1N6 accessed 14 March 2020. 9:53.
- Zaretsky, Adam (2017) ‘Transgenic humans as bioart. Human genome editing as an experiment in art and science’, held at DACER (DC Art Science Evening Rendezvous), Nacional Academy of Sciences on 3 October 2017, https://bit.ly/2BpXZd8 , accessed 14 March 2020.
- Zaretsky, Adam (2020) ‘biPolar Bioart: USDA APHIS FDA BRS notification request’, Drain. Ecology of bad ideas 16(1), https://bit.ly/39q9zl6 accessed 14 March 2020.