REFERENCES
- Anderson, Ben and Harrison, Paul (2010) ‘The promise of non-representational theories’, in Ben Anderson and Paul Harrison (eds) Taking-Place: Non-representational theories and geography, Farnham: Ashgate, pp. 1–35.
- ArtHappens (2020) ‘Twenty Looks or Paris is Burning at The Judson Church (XS)’, https://bit.ly/3jni6dr, accessed 26 February 2020.
- Barad, Karen (2003) ‘Posthumanist performativity: Toward an understanding of how matter comes to matter’, Signs: Journal of Women in Culture and Society 28(3): 801–31. doi: 10.1086/345321
- Barad, Karen (2007) Meeting the Universe Halfway: Quantum physics and the entanglement of matter and meaning, Durham, NC, and London: Duke University Press.
- Barbican Centre (2017) ‘Trajal Harrell: Hoochie Koochie’, https://www.barbican.org.uk/trajal-harrell-hoochie-koochie, accessed 3 October 2017.
- Boym, Svetlana (2010) Another Freedom: The alternative history of an idea, Chicago and London: The University of Chicago Press.
- Boynton, Andrew (2012) ‘When drag and modern dance collide’, The New Yorker, 1 May, https://bit.ly/3mwfKsM, accessed 16 February 2020.
- DeFrantz, Thomas F. (2016) ‘Black dance after race’, in Anthony Shay and Barbara Sellers-Young (eds) The Oxford Handbook of Dance and Ethnicity, Oxford: Oxford University Press, pp. 706–24.
- Giersdorf, Jens Richard (2018) ‘(In)Distinct positions: The politics of theorizing choreography’, in Mark Franko (ed.) The Oxford Handbook of Dance and Reenactment, Oxford: Oxford University Press, pp. 535–49.
- Glissant, Édouard (1997 [1990]) Poetics of Relation, trans. Betsy Wing, Ann Arbor: The University of Michigan Press.
- Haraway, Donna (1997) Modest_Witness@Second_Millennium. FemaleMan©_Meets_OncoMouseTM, London and New York: Routledge.
- Harney, Stefano and Moten, Fred (2013) The Undercommons: Fugitive planning and black study, Wivenhoe, New York and Port Watson: Minor Compositions.
- Harrell, Trajal, ed. (2017) Twenty Looks or Paris is Burning at The Judson Church (XL), https://bit.ly/37ya7Gu, accessed 26 February 2020.
- Harrell, Trajal (n.d.) ‘Trajal Harrell: Works/info’, https://bit.ly/2KAvkGL, accessed 26 February 2020.
- Hartman, Saidiya (2007) Lose Your Mother: A journey along the Atlantic Slave Route, New York: Farrar, Straus and Giroux.
- Lepecki, André (2017) ‘On the way ongoing going (senselessly with an aim): A fever’, in Trajal Harrell (ed.) Twenty Looks or Paris is Burning at The Judson Church (XL), pp. 96–7, https://bit.ly/37ya7Gu, accessed 26 February 2020.
- Moten, Fred (2003) In the Break: The aesthetics of the black radical tradition, Minneapolis: Minnesota University Press.
- Nyong’o, Tavia (2017) ‘Dancing in the subjunctive: On Trajal Harrell’s Twenty Looks’, in Trajal Harrell (ed.) Twenty Looks or Paris is Burning at The Judson Church (XL), pp. 254–7, https://bit.ly/37ya7Gu, accessed 26 February 2020.
- Osterweis, Ariel (2017) ‘Museum realness’, in Trajal Harrell (ed.) Twenty Looks or Paris is Burning at The Judson Church (XL), pp. 98–114, https://bit.ly/37ya7Gu, accessed 26 February 2020.
- Palmer, Helen and Hunter, Vicky (2018) ‘Worlding’, New Materialism: Almanac, https://newmaterialism.eu/almanac/w/worlding.html, accessed 26 February 2020.
- Perazzo Domm, Daniela (2019) ‘Im/possible choreographies: Diffractive processes and ethical entanglements in current British dance practices’, Dance Research Journal 51(3): 66–83. doi: 10.1017/S0149767719000329
- Schürmann, Lennart Boyd and Le Coutour, Augustin (2017) ‘”You created me”: Affective technologies in Greek performativity and Twenty Looks‘ in Trajal Harrell (ed.) Twenty Looks or Paris is Burning at The Judson Church (XL), pp. 162–83, https://bit.ly/37ya7Gu, accessed 26 February 2020.
- Sudbrack, Eli and Harrell, Trajal (2017) ‘A Kiki’, in Trajal Harrell (ed.) Twenty Looks or Paris is Burning at The Judson Church (XL), pp. 52–73, https://bit.ly/37ya7Gu, accessed 26 February 2020.
- Thiele, Kathrin (2014) ‘Ethos of diffraction: New paradigms for a (post)humanist ethics’, Parallax 20(3): 202–16. doi: 10.1080/13534645.2014.927627
- Velasco, David (2014) ‘Trajal Harrell’, Artforum International, 3 September, https://www.artforum.com/words/id=48133, accessed 16 October 2017.