REFERENCES
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- Bhabha, Homi (1994) The Location of Culture, New York, NY: Routledge.
- Bharucha, Rustom (2000) The Politics of Cultural Practice: Thinking through theatre in an age of globalization, Hanover, NH: Wesleyan University Press.
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- Ciampi Tsolaki, Giorgia (2019) ‘Recalibrating intercultural acting/Training today’, in Phillip B. Zarrilli, T. Sasitharan and Anuradha Kapur (eds) Intercultural Acting and Performer Training, London: Routledge, 25–47.
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- Eriksen, Jade, Moetara, Teina and Timms, Heather (2012) ‘Tātou’, Heather Timms personal papers.
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- Mead, Hirini Moko (2013) Tikanga Māori: Living by Māori values, Wellington, New Zealand: Huia Publishers.
- Moetara, Ngapaki (2019) ‘Farewell Address (whaikōreo)’ delivered to Toi Whakaari students and staff, Rongowhakatta marae, Manutuke, New Zealand, 11 April.
- Pavis, Patrice (1996) ‘Introduction: Towards a theory of interculturalism in theatre?’, in Patrice Pavis (ed.) The Intercultural Performance Reader, London: Routledge, pp. 1–26.
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- Tatinge Nascimento, Cláudia (2009) Crossing Cultural Borders Through the Actor’s Work: Foreign bodies of knowledge, London: Routledge.
- Timms, Heather (2019a) interview with Peter Zazzali, 12 March.
- Timms, Heather (2019b) ‘Tūranga: Acting Department Handbook for Year 1 (2019)’, Wellington, New Zealand, pp. 3–38.
- Tuhiwai Smith, Linda (2012) Decolonizing Methodologies: Research and indigenous peoples, 2nd edn, London: Zed Books.
- Yu-Hsing Chen, Jasmine (2019) ‘Stepping out of the frame: contemporary jingju actor training and cross-cultural performance in Taiwan’, in Phillip B. Zarrilli, T. Sasitharan and Anuradha Kapur (eds) Intercultural Acting and Performer Training, London: Routledge, 77-91.
- Zarrilli, Phillip B. (2009) Psychophysical acting: An intercultural approach after Stanislavski, New York, NY: Routledge.