Publication Cover
Performance Research
A Journal of the Performing Arts
Volume 25, 2020 - Issue 8: Training Utopias
97
Views
0
CrossRef citations to date
0
Altmetric
IDEALS

Dark Utopia

Or sleeping through Marten Spångberg’s Natten

REFERENCES

  • Andersson, Danjel, Edvardsen, Mette and Spångberg, Mårten, eds (2017) Post-Dance, Stockholm: MDT.
  • Bigas, Quim (2017) La Natten Me Confunde, Mambo, https://bit.ly/3biIKRU, 28 October, accessed 18 June 2020.
  • Bloch, Ernst (1995) The Principe of Hope: Volume 1, London and Cambridge: Verso.
  • Boltanski, Luc and Chiapello, Eve (2005) ‘The new spirit of capitalism’, International Journal of Politics, Culture, and Society 18: 161–88. doi: https://doi.org/10.1007/s10767-006-9006-9
  • Crary, Jonathan (2013) 24/7 Late Capitalism and the Ends of Sleep, London and New York, NY: Verso.
  • Cvejić, Bojana (2017) ‘Credo In Artem Imaginandi’, in Danjel Andersson, Mette Edvardsen and Mårten Spångberg (eds) Post-Dance, Stockholm: MDT, pp.106–34.
  • Cvejić, Bojana and Vujanović, Ana (2015) Public Sphere by Performance, Brussels: b_books.
  • Deleuze, Gilles (1995) ‘The exhausted’, trans. Anthony Uhlmann, SubStance 24: 3–28. doi: https://doi.org/10.2307/3685005
  • Deleuze, Gilles and Guattari, Félix (1994) What is Philosophy? trans Graham Burchell and Hugh Tomlinson, New York, NY: Columbia University Press.
  • Hewitt, Andrew (2005) Social Choreography: Ideology as performance in dance and everyday movement, Durham, NC: Duke University Press.
  • Kunst, Bojana (2017) ‘Twilight zone: Ritmepolitiek en de poëtica van de dans’, Etcetera 149: 44–50.
  • Lapoujade, David (2014) Deleuze, Les mouvements aberrants, Paris: Les Editions de Minuit.
  • Lepecki, André (2016) Singularities: Dance in the age of performance, London and New York, NY: Routledge.
  • Pouillaude, Frédéric (2007) ‘Scéne and contemporaneity’, The Drama Review 51: 124–35. doi: https://doi.org/10.1162/dram.2007.51.2.124
  • Spångberg, Mårten (2016a) ‘Do they think the lengths of the pieces are an accident?’, interview with Guillaume Rouleau, MA Culture, https://bit.ly/3o6rKni, 29 July, accessed 18 June 2020.
  • Spångberg, Mårten (2016b) Natten, https://bit.ly/33AESaI, accessed 18 June 2020.
  • Spångberg, Mårten (2016c) ‘From cynicism to poetics: A conversation with Mårten Spångberg’, interview with Ana Vujanović, in Ida Daniel, Kristóf Farkas, Shir Hacham, Aisling Marks, Stina Nyberg, Livia Andrea Piazza and Ana Schnabl (eds) A Problematic Book, Belgrade: Station Service for Contemporary Dance, pp. 85–98.
  • Spångberg, Mårten (2017) ‘Post-dance, an advocacy’, in Danjel Andersson, Mette Edvardsen and Mårten Spångberg (eds) Post-Dance, Stockholm: MDT, pp. 349–92.
  • Vujanović, Ana (2018) ‘Sputnik Natten (or: On Namelessness, but not in English)’, in Melanie Fieldseth, Anne-Cécile Sibué-Birkeland and Elin Amundsen Grinaker (eds), Black Box teater Publication, Oslo: Black Box teater, pp. 105–22.
  • Winship, Lyndsey (2013) ‘The guide: Rhythm rebel: The bad boy of contemporary dance, Marten Spangberg has strong ideas about pop and choreography – none of which involve Lycra’, 6 July, The Guardian, p. 18.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.