Publication Cover
Performance Research
A Journal of the Performing Arts
Volume 26, 2021 - Issue 3: On Perception
249
Views
0
CrossRef citations to date
0
Altmetric
Research Article

The Dancer–Drummer–Drum Body: Expanding corporeal experiences through improvisation in black dance

REFERENCES

  • Cavalcanti, Raquel Pires (2019) ‘A presença da Educação Somática no processo de ensino-aprendizagem em dança: transformações, desafios e perspectivas’ (The presence of Somatic Education in the process of teaching-learning in dance: transformations, challenges and perspectives), in Carla Sabrina Cunha et. al (orgs) Anais do I encontro internacional de práticas somáticas e dança: body-mind centering em criação, pesquisa e performance (Proceedings of the 1st international meeting on somatic practices and dance: body-mind centering in creation, research and performance), Brasília: Editora IFB, pp. 189–200.
  • Chemero, Anthony (2009) Radical Embodied Cognitive Science, Cambridge, MA: MIT Press.
  • Chemero, Anthony (2012) ‘Complexity and extended phenominological-cognitive systems’, Topics in Cognitive Science 4(1): 35–50. doi: https://doi.org/10.1111/j.1756-8765.2011.01168.x
  • Clark, Andy and Chalmers, David (1998) ‘The extended mind’, Analysis 58(1): 7–19. doi: https://doi.org/10.1093/analys/58.1.7
  • Cerqueira, Gustavo Melo (2020) ‘Encontro 5.1: Corpo ancestral: metodologias negro-referenciadas na prática e ensino da dança’ (Encounter 5.1: Ancestral Body: Black-referenced methodologies in dance teaching and practices), www.youtube.com/watch?v=neg1pHEpRZI, 26 May, accessed 2 July 2020.
  • Daniel, Yvonne (2005) ‘Dance in the African Diaspora’, in Melvin Ember, Carol R. Ember and Ian Skoggard (eds) Encyclopedia of Diasporas: Immigrant and refugee cultures around the world. Volume 1: Overviews and topics, Boston, MA: Springer, pp. 347–56.
  • Domenici, Eloisa (2010) ‘O encontro entre dança e educação somática como uma interface de questionamento epistemológico sobre as teorias do corpo’ (The encounter between dance and somatic education as an interface of epistemological questioning on body theories), Pró-Posições 21(2): 69–85.
  • Drewal, Henry John (2005) ‘Senses in understandings of art’, African Arts 38(2): 1–6. doi: https://doi.org/10.1162/afar.2005.38.2.1
  • Foster, Susan Leigh (2010) ‘Textual evidences: Organizing and narrating dance’s history’, in Charlotte M. Canning and Thomas Postlewait (eds) Representing the Past: Essays in performance historiography, Iowa: University of Iowa Press, pp. 333–50.
  • Gottschild, Brenda Dixon (2003) The Black Dancing Body: A geography from coon to cool, New York, NY: Palgrave Macmillan.
  • Hilbert, David R. (2015) ‘Vision’, in Mohan Matthen (ed.) The Oxford Handbook of Philosophy of Perception, Oxford: Oxford University Press, pp. 257–74.
  • Hutto, Daniel and Myin, Erik (2013) Radicalising Enactivism: Basic minds without content, Cambridge, MA: MIT Press.
  • Kiverstein, Julian (2018) ‘Extended cognition’, in Albert Newen, Leon De Bruin and Shaun Gallagher (eds) The Oxford Handbook of 4E Cognition, Oxford: Oxford University Press, pp. 19–41.
  • Lamp, Frederick (2004) See the Music, Hear the Dance: Rethinking African art at the Baltimore Museum of Art, Munich: Prestel.
  • Lépine, Claude (2004) ‘Análise formal do panteão nagô (Formal analysis of Nagô pantheon), in Carlos Eugênio Marcondes de Moura (ed.) Culto aos orixás: voduns e ancestrais nas religiões afro-brasileiras (The Worship of Orixás: Voduns and ancestrals in Afro-Brasilian religions), Rio de Janeiro: Pallas, pp. 21-78.
  • Martins, Suzana (2008) A dança de Yemanjá Ogunté sob a perspectiva estética do corpo (The dance of Yemanjá Ogunté in an aesthetics perspective of the body), Salvador: Egba.
  • Merleau-Ponty, Maurice (1962) Phenomenology of Perception, trans. Colin Smith, London: Routledge & Kegan Paul.
  • Moten, Fred (2003) In the Break: The aesthetics of the black radical tradition, London: University of Minnesota Press.
  • Nugent, Ann (2015) ‘Spirit of the new: William Forsythe and the disruption of ballet’s structural organization’, in Kathrina Farrugia-Kriel and Jill Nunes Jensen (eds) Conversations Across the Field of Dance Studies: Network of pointes, XXXV: 5–9. https://bit.ly/3BI6QAW
  • O’Callaghan, Casey (2007) Sounds: A Philosophical Theory, Oxford: Oxford University Press.
  • O’Callaghan, Casey and Nudds, Matthew (2009) ‘Introduction: The philosophy of sounds and auditory perception’, in Matthew Nudds and Casey O’Callaghan (eds) Sounds and Perception: New philosophical essays, Oxford: Oxford University Press, pp. 1–25.
  • Oyewùmí, Oyèrónké (1997) The Invention of Women: Making an African sense of Western gender discourses, Minneapolis, MN: University of Minnesota Press, pp. 1–30.
  • Royster, Francesca T. (2013) ‘Queering the jazz aesthetic: An interview with Sharon Bridgforth and Omi Osun Joni Jones’, Journal of Popular Music Studies 25(4): 537–52. doi: https://doi.org/10.1111/jpms.12049
  • Sabino, Jorge and Lody, Raul (2011) Danças de matriz africana: antropologia do movimento (African rooted dances: Movement anthropology), Rio de Janeiro: Pallas.
  • Santos, Edileusa (2015) ‘Dança de expressão negra: um novo olhar sobre o tambor’ (Dance of Black Expression: A new look at the drum), Repertório 18(24): 47–55.
  • Santos, Edileusa (2016) Personal interview with Edileusa Santos, 20 September.
  • Santos, Inaicyra Falcão dos (2006) Corpo e ancestralidade: uma proposta pluricultural de dança-arte-educação (Body and Ancestry: A pluricultural proposal in dance-art-education), São Paulo: Terceira Margem.
  • Sheets-Johnstone, Maxine, ed. (1984) Illuminating Dance: Philosophical explorations, Lewisburg, PA: Bucknell University Press.
  • Silberstein, Michael and Chemero, Anthony (2012) ‘Complexity and extended phenomenological cognitive systems’, Topics in Cognitive Science 4(1): 35–50. doi: https://doi.org/10.1111/j.1756-8765.2011.01168.x
  • Silva, Renata Lima (2010a) ‘O corpo limiar e as encruzilhadas: a capoeira angola e os sambas de umbigada no processo de criação em dança contemporânea brasileira’ (The liminal body and the crossroads: Capoeira Angola and the bely button sambas in the creative process of contemporary dance), PhD thesis, UNICAMP, https://bit.ly/30F6f5y, accessed 13 June 2020.
  • Silva, Renata Lima (2010b) ‘Dança no contexto da cultura negra’ (The dance in the context of black culture’, Olonadé: the black Brazilian scene), Olonadé: a cena negra brasileira 2 :40–5.
  • Silvestre Technique Training. https://bit.ly/3mRZCEm
  • Silvestre, Rosangela (2016) Personal interview with Rosangela Silvestre, 16 August.
  • Simas, Luiz Antonio and Rufino, Luiz (2018) Fogo no mato: a ciência encantada das macumbas (Fire in the grass: The enchanted science of macumbas), Rio de Janeiro: Mórula Editorial.
  • Sprevak, Mark (2010) ‘Inference to the hypothesis of extended cognition’, Studies of History and Philosophy of Science 41: 353–62. doi: https://doi.org/10.1016/j.shpsa.2010.10.010
  • Welsh-Asante, Kariamu, ed. (1998) African Dance: An artistic, historical, and philosophical inquiry, Trenton, NJ: Africa World Press, Inc.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.