Marriage in Death and the Cyberspace of Feminist Intervention in Contemporary China

REFERENCES

• Ahduoduoduoduo (2020) ‘A few years ago my friend died by accident’, Sina Weibo, https://bit.ly/3R77SOy, 17 November, accessed 5 April 2021.
   Google Scholar
• Carrico, Kevin (2017) The Great Han: Race, nationalism, and tradition in China today, Oakland, CA: University of California Press.
   Google Scholar
• Chen, Dabei (1922) Aimei de xiju (The Amateur Theatre), Beijing: Chenbaoshe.
   Google Scholar
• Dong, Ruijiao (2020) ‘Hysterical amateurs: Wild Seeds burning on the grass stage’, TDR: The drama review 64(3): 156–61. doi: 10.1162/dram_a_00949
   Google Scholar
• Fincher, Leta Hong (2018) Betraying Big Brother: The feminist awakening in China, New York, NY: Verso, Kindle edition.
   Google Scholar
• Frebel Crew (2019), ‘Frebel Crew is recruiting new members’, Sina Weibo, https://bit.ly/3RqDYoa, 15 September, accessed 5 April 2021.
   Google Scholar
• Frebel Crew (2020), Marriage in Death, choreographed by Zhu Lingling, Zhang Yuting, Liao Jianbai, and Su Muru. Youtube, https://bit.ly/3ya1sHF, 29 November 2020, accessed 5 April 2021.
   Google Scholar
• #ghost marriage-themed street dance by GUFE (guangxi caijing xueyuan yanyi minghun ticai jiewu)# (2020) Sina Weibo, https://bit.ly/3F7Xj8S, accessed 5 April 2021.
   Google Scholar
• Guan, Hnqing (c.1260) The Injustice to Dou E, in Liu Jung-en (trans.) Six Yuan Plays, New York, NY: Penguin Classics, pp. 115-158.
   Google Scholar
• He-Yin, Zhen (2013 [1907a]) ‘On the question of women’s labor’, trans. Rebecca E. Karl, in Lydia H. Liu, Rebecca E. Karl and Dorothy Ko (eds) The Birth of Chinese Feminism, New York, NY: Columbia University Press, pp. 53–71.
   Google Scholar
• He-Yin, Zhen (2013 [1907b]) ‘On the question of women’s liberation’, trans. Lydia H. Liu, in Lydia H. Liu, Rebecca E. Karl and Dorothy Ko (eds) The Birth of Chinese Feminism, New York, NY: Columbia University Press, pp. 72–91.
   Google Scholar
• Hobsbawm, Eric (1983) ‘Introduction: Inventing traditions’, in Eric Hobsbawm and Terence Ranger (eds) The Invention of Tradition, Cambridge: Cambridge University Press, pp. 1–14.
   Google Scholar
• Jaffe, Gabrielle (2013) ‘Performing The Vagina Monologues in China’, The Atlantic, https://bit.ly/3B5C7zW, 29 November, accessed 5 April 2021.
   Google Scholar
• Ji, Yingchun (2015) ‘Between tradition and modernity: “Leftover” women in Shanghai’, Journal of Marriage and Family 77(5): 1,057–73. doi: 10.1111/jomf.12220
   Web of Science ®Google Scholar
• Jin, Tianhe (2013 [1903]) ‘The women’s bell’, trans. Michael Gibbs Hill, in Lydia H. Liu, Rebecca E. Karl and Dorothy Ko (eds) The Birth of Chinese Feminism, New York, NY: Columbia University Press, pp. 207–85.
   Google Scholar
• Lemke, Thomas (2011) Biopolitics: An advanced introduction, trans. Eric Frederick Trump, New York, NY: New York University Press.
   Google Scholar
• ‘Life of the detested Jiangshanjiao: Blood-crying questions from Chinese women (Beixianqi de Jiangshanjiao de yisheng: zhongguo nüxing de qixuezhiwen)’ (2020) China Digital Times, https://bit.ly/3F6XWQ1, 18 February, accessed 5 April 2021.
   Google Scholar
• Liu, Haihong (2019) ‘Love your nation the way you love an idol: New media and the emergence of fandom nationalism’, in Hailong Liu (ed.) From Cyber-Nationalism to Fandom Nationalism: The case of Diba Expedition in China, New York, NY: Routledge, pp. 125–147.
   Google Scholar
• Liu, Lydia H., Karl, Rebecca E. and Ko, Dorothy (2013) ‘Introduction: Toward a transnational feminist theory’, in Lydia H. Liu, Rebecca E. Karl and Dorothy Ko (eds) The Birth of Chinese Feminism, New York, NY: Columbia University Press, pp. 1–26.
   Google Scholar
• MacDonald, Laura (2020) ‘Seasons of love: Chinese millennials’ affective amateur musical theatre performances’, Performance Research 25(1): 112–20. doi: 10.1080/13528165.2020.1747260
   Web of Science ®Google Scholar
• McDonell, Stephen (2021) ‘China allows three children in major policy shift’, BBC, bit.ly/3hwwnHU, 31 May, accessed 24 September 2021.
   Google Scholar
• National Bureau of Statistics (Guojia tongji ju) (2021) ‘Public Report of the Seventh National Census, No. 4 Gender Structure (Diqici quanguo renkou pucha gonggao, disihao, renkou xingbie goucheng qingkuang)’, https://bit.ly/3B7xzJa, 11 May, accessed 13 May 2021.
   Google Scholar
• Nongchao’er dazongguan (2020) ‘This student performance by Guangxi University of finance and economics is so impactful’, Sina Weibo, https://bit.ly/3R77SOy, 17 November, accessed 5 April 2021.
   Google Scholar
• Peng, Altman Yuzhu (2020) A Feminist Reading of China’s Digital Public Sphere, London: Palgrave Macmillan.
   Google Scholar
• Shanghai Dance College (Shanghai wudao xuexiao) (1965) The White-Haired Girl, ballet.
   Google Scholar
• Wang, Huazhen (2021) ‘What is deep rooted is the Chinese understanding of death: Investigation on ghost marriage among the people (Genshendigu de shi zhongguoren dui siwang de lijie: minjian minghun diaocha)’, Nanfang zhoumo, www.infzm.com/contents/199331, 9 January, accessed 5 April 2021.
   Google Scholar
• Wang, Zheng (2015) ‘Detention of the feminist five in China’, Feminist Studies 41(2): 476–82.
   Google Scholar
• Wang, Zheng (2016) Finding Women the State: A socialist feminist revolution in the People’s Republic of China, 1949–1964, Oakland, CA: University of California Press.
   Google Scholar
• Wang, Zheng and Zhang, Ying (2010) ‘Global concepts, local practices: Chinese feminism since the Fourth UN Conference on Women’, Feminist Studies 36(1): 40–70.
   Web of Science ®Google Scholar
• Wang, Zipei (2021) ‘When will the corrupt practice of ghost marriage end (Minghun louxi heshi xiu)?’ Nanfang Daily, A04, https://bit.ly/3R4CH6x, 8 January, accessed 18 March 2022.
   Google Scholar
• Wu, Angela Xiao and Dong, Yige (2019) ‘What is made-in-China feminism(s)? Gender discontent and class friction in post-socialist China’, Critical Asian Studies 51(4): 471–92. doi: 10.1080/14672715.2019.1656538
   Web of Science ®Google Scholar
• Wu, Jing, Li, Simin and Wang, Hongzhe (2019) ‘From fans to “Little Pink”: The production and mobilization mechanism of national identity under new media commercial culture’, in Hailong Liu (ed.) From Cyber-Nationalism to Fandom Nationalism: The case of Diba expedition in China, New York, NY: Routledge.
   Google Scholar
• Wu, Xu (2007) Chinese Cyber Nationalism: Evolution, characteristics, and implications, Plymouth: Lexington Books.
   Google Scholar
• Xu, Zhongshu, et al., eds (2010) Hanyu da zidian (A Comprehensive Dictionary of the Chinese Language), 2nd ed., Chengdu and Wuhan: Sichuan cishu chubanshe and Chongwen shuju.
   Google Scholar