REFERENCES
- Bacal, Edward (2016) ‘Abstract materialities: The anonymous corpse in the work of Teresa Margolles’, in Bodily Matters: Human Biomatter in Art, University College London, 7–8 July.
- Banwell, Julia (2015) Teresa Margolles and the Aesthetics of Death, Cardiff: University of Wales Press.
- Butler, Judith (1993) Bodies that Matter: On the discursive limits of ‘sex’, New York and London: Routledge.
- Chambers-Letson, Joshua (2016) ‘Performance’s mode of reproduction I: Searching for Danh Võ’s mother’, Women and Performance: A journal of feminist theory 26(2–3): 122–45. doi: 10.1080/0740770X.2016.1249627
- Galerie Peter Kilchmann (2009) press release: ‘Teresa Margolles, Mexican Pavilion, Venice Biennale, 2009’, https://bit.ly/3oF10PF, accessed 4 June 2023.
- García Canclini, Néstor (2014) Art Beyond Itself: Anthropology for a society without a story line, Durham, NC and London: Duke University Press.
- Lee, Elizabeth and D’Aubeterre Buznego, María Eugenia (2022) ‘The COVID-19 pandemic, the crisis of care, and Mexican immigrants in the United States: A preliminary analysis, Mexican Studies 38(1): 170–97. doi: 10.1525/msem.2022.38.1.170
- Lynes, Krista (2019) ‘Decolonizing corporeality: Teresa Margolles’s lively corpses’, Social Text 37(4): 23–49. doi: 10.1215/01642472-7794355
- Margolles, Teresa and Klett, Maddie (2023) personal correspondence, email exchange, James Cohan Gallery, 21 February.
- Medina, Cuauhtémoc, ed. (2009) Teresa Margolles. De qué otra cosa podríamos hablar? (What else could we talk about?), Barcelona: RM.
- Moten, Fred (2018) Stolen Life: Consent not to be a single being, Durham, NC and London: Duke University Press.
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- Skelly, Julia (2022) Skin Crafts: Affect, violence and materiality in global contemporary art, London: Bloomsbury Publishing.
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