769
Views
3
CrossRef citations to date
0
Altmetric
Articles

Music education in Shanghai from 1895 to 1945: the cultural politics of singing

Pages 187-207 | Received 30 Jun 2011, Accepted 06 Jan 2012, Published online: 24 May 2012

References

  • Arkaraprasertkul , N. 2010 . Power, politics, and the making of Shanghai . Journal of Planning History , 9 ( 4 ) : 232 – 59 .
  • Bastid M. Educational reform in early 20th-century China Trans P.J. Bailey Centre for Chinese Studies, Univ. of Michigan Ann Arbor 1988
  • Bergère , M.C. 2009 . Shanghai: China's gateway to modernity . Trans . J. Lloyd Stanford , CA : Stanford Univ. Press .
  • Bickers , R.A. and Wasserstrom , J.N. 1995 . Shanghai's “dogs and Chinese not admitted” sign: Legend, history and contemporary symbol . China Quarterly , 142 : 444 – 66 .
  • Bourdieu P. Outline of a theory of practice . Trans R. Nice Cambridge Univ. Press New York 1977
  • Bourdieu , P. 1985 . The genesis of the concepts of habitus and field . Sociocriticism , 1 ( 2 ) : 11 – 24 .
  • Buchori , M. 2010 . Fostering social solidarity and nationalism through arts . The Jakarta Post . August 6. http://pesantrennusantara.com/component/content/article/120-fostering-social-solidarity-and-nationalism-through-encounters-in-artistic-events.html ( accessed December 18, 2011 ).
  • Callahan , W.A. 2006 . History, identity, and security: Producing and consuming nationalism in China . Critical Asian Studies , 38 ( 2 ) : 179 – 208 .
  • Chen , J.Y. 2007 . Li Shutong xuetang lege [Li Shutong's school songs] , Beijing : Zhonghua Shuju .
  • Chen , L.Q. 2009 . Views out of new sources on Zeng Zhimin . Art of Music (Journal of the Shanghai Conservatory of Music) , 1 : 33 – 43 .
  • Cheung , J.H.Y. 2008 . Chinese music and translated modernity in Shanghai, 1918–1937 . Thesis for the Degree of Doctor of Philosophy (Music: Musicology) of the University of Michigan . Ann Arbor , MI : ProQuest LLC .
  • Choi , W.K. 2009 . Revolutionary Shanghai: Rethinking class and the politics of difference through Chinese communism . Science & Society , 73 ( 2 ) : 242 – 60 .
  • Dai , P.H. , and X.D. Huang 1993 . Xiao Youmei jinian wenji [Essays commemorating Xiao Youmei] . Shanghai : Shanghai Yinyue Chubanshe .
  • Denisoff , R.S. 1969 . Folk music and the American left: A generational-ideological comparison . British Journal of Sociology , 20 ( 4 ) : 427 – 42 .
  • DeNora , T. 2000 . Music in everyday life , Cambridge and New York : Cambridge Univ. Press .
  • Drury , I. 2008 . Boris orders arts chiefs to stop ‘dumbing down’ culture for young people . Mail on Sunday Online . November 24. http://www.mailonsunday.co.uk/news/article-1088956/Boris-orders-arts-chiefs-stop-dumbing-culture-young-people.html ( accessed December 23, 2011 ).
  • Foucault , M. 2009 . Method . In Cultural theory and popular culture: A reader , 4th ed ., J. Storey , 313 – 31 . London : Pearson Education .
  • Gellner , E. 1983 . Nations and nationalism , Oxford : Blackwell .
  • Gild , G. 1998 . Dreams of renewal inspired by Japan and the West: early 20th century reforms in Chinese music . Chime , 12–13 : 116 – 23 .
  • Gild , G. 2004 . “ The evolution of modern Chinese musical theory and terminology under western impact ” . In Mapping meanings: The field of new learning in late Qing China , Edited by: Lackner , M. and Vittinghoff , N. 555 – 75 . Leiden , , the Netherlands : Brill .
  • Gong , H.Y. 2008 . Music, nationalism and the search for modernity in China, 1911–1949 . New Zealand Journal of Asian Studies , 10 ( 2 ) : 38 – 69 .
  • Gong , L. 2010 . Study on background of music education in higher normal universities in China . Asia Social Science , 6 ( 2 ) : 60 – 66 .
  • Gu , E.X. 2001 . Who was Mr Democracy? The May Fourth discourse of populist democracy and the radicalization of Chinese intellectuals (1915-1922) . Modern Asian Studies , 35 : 589 – 621 .
  • Hall , S. 2009 . “ The rediscovery of ideology: The return of the repressed in media studies ” . In Cultural theory and popular culture , Edited by: Storey , J. 111 – 41 . London : Pearson Education .
  • Ho , W.C. 2003 . Westernization and social transformations in Chinese music education, 1895–1949 . History of Education , 32 ( 3 ) : 289 – 301 .
  • Hobsbawn , E.J. 1990 . Nations and nationalism since 1780: Programme, myth, reality , Cambridge : Cambridge Univ. Press .
  • Hong , X.T. 2009 . Performing the Yellow River Cantatas . Thesis Submitted for the Degree of Doctor of Musical Arts in Music. Urbana, Illinois: Graduate College of the University of Illinois at Urbana-Champaign .
  • Huang , S.G. 2011 . Lun Xiao Youmei zai zhongguo xiandai xinyue jiaoyu shi shang di diwei [Xiao Youmei and modern Chinese music education] . Journal of Hebei Normal University , 13 ( 3 ) : 45 – 49 .
  • Hung , C.T. 1996 . The politics of songs: Myths and symbols in the Chinese communist war music, 1937–1949 . Modern Asian Studies 30 , 4 ( Special Issue: War in Modern China ): 901 – 29 .
  • Jiang , M.H. 1995 . The development of education in Shanghai during 1840–1937: Implications for regional development . In Social change and educational development, mainland China, Taiwan and Hong Kong , G.A. Postiglione and W.O. Lee , 248 – 57 . Hong Kong : Centre of Asian Studies, Univ. of Hong Kong .
  • Jin , J. 2011 . Chinese music. Trans. L. Wang and R. Li , Cambridge : Cambridge Univ. Press .
  • Johnson , L.C. 1995 . Shanghai: From market town to treaty port, 1074–1858 , Stanford , CA : Stanford Univ. Press .
  • Jones , A.F. 2001 . Yellow music: Media culture and colonial modernity in the Chinese jazz age , Durham and London : Duke Univ. Press .
  • Kong , L. 1995 . Music and cultural politics: Ideology and resistance in Singapore . Transactions of the Institute of British Geographers , 20 ( 4 ) : 447 – 59 .
  • Ku , H.T. 1979 . Urban mass movement: The May Thirtieth Movement in Shanghai . Modern Asian Studies , 13 : 197 – 216 .
  • Larson , J.L. 2007 . Articulating China's first mass movement: Kang Youwei, Liang Qichao, the Baohuanghui, and the 1905 anti-American Boycott . Twentieth-Century China , 33 ( 1 ) : 4 – 26 .
  • Liang , Q.C. 1983 . Yin bingshi shihua [Critique on poetry from the icy drinks studio] , Beijing : People's Education Press .
  • Liu C.C. A critical history of new music in China . Trans . C. Mason Hong Kong Chinese Univ. Press Hong Kong 2010
  • Ma , D. 2002 . Ershi shiji-Zhongguo xuejiao yinyue jiaoyue [Twentieth century – Music education in China's schools] , Shanghai : Shanghai Educational .
  • Ma , S.H. 1989 . The curriculum content of elementary music in China between 1912 and 1982 , Ann Arbor , MI : University Microfilms International .
  • Madrid , A.L. 2006 . The sounds of the nation: Visions of modernity and tradition in Mexico's first national congress of music . Hispanic American Historical Review , 86 ( 4 ) : 681 – 706 .
  • Malm , W.P. 1977 . Music cultures of the Pacific, the Near East, and Asia , 2nd ed , Englewood Cliffs , NJ : Prentice-Hall .
  • Mao , Y.R. 1991 . Music under Mao, its background and aftermath . Asian Music , XXII ( 2 ) : 97 – 125 .
  • Meizei , K. 2006 . A singing citizenry: Popular music and civil religion in America . Journal for the Scientific Study of Religion , 45 ( 4 ) : 497 – 503 .
  • Melvin , S. and Cai , J.D. 2004 . Rhapsody in red: How western classical music became Chinese , New York : Algora .
  • Meng , W.T. 2005 . Zhongguo jin xiandai gequ chuangzuo shi zhong yige teshu jinjian shili [My opinion about Xiao Youmei's art songs] . Huangzhong (Journal of Wuhan Conservatory of Music, China) 2 : 26 – 30
  • Micic , P. 1999 . School songs and modernity in late Qing and early republican China . Thesis submitted for the Degree of Doctor of Philosophy. Melbourne, Victoria: School of Asian Languages and Studies, Monash University .
  • Ozgur , I. 2006 . Arabesk music in Turkey in the 1990s and changes in national demography, politics, and identity . Turkish Studies , 7 ( 2 ) : 175 – 90 .
  • Rankin , M. 1971 . Early Chinese revolutionaries: Radical intellectuals in Shanghai and Chekiang, 1902–1911 , Cambridge : Harvard Univ. Press .
  • Reynolds , D.R. 1993 . China, 1898–1912: The Xinzheng Revolution and Japan , Cambridge , MA : Cambridge East Asian Studies, Harvard University .
  • Scott , A.C. 1965 . Literature and the arts in the twentieth century China , London : George Allen & Unwin Ltd .
  • Shen , X.M. 2007 . Shanghai education , Singapore : Thomson .
  • Smith , S.A. 2002 . Like cattle and horses: Nationalism and labor in Shanghai, 1895–1927 , Durham , NC : Duke Univ. Press .
  • Southcott , J.E. and Lee , A.H.C. 2008 . Missionaries and tonic sol-fa music pedagogy in 19th-century China . International Journal of Music Education , 26 ( 3 ) : 213 – 28 .
  • Sperber , D. 1996 . Explaining culture , Oxford : Blackwell .
  • Steen , A. 1999/2000 . Tradition, politics and meaning in 20th century China's popular music – Zhou Xuan: “When will the gentleman come back again?” . Chime , 14–15 : 124 – 53 .
  • Strauss , C. 1992 . Models and motives . In Human motives and cultural models , R.G. D'Andrade and C. Strauss , 1 – 20 . Cambridge : Cambridge Univ. Press .
  • Sun , Y.M. 2006 . Zhongguo xuejiao yinle jiaoyu di lishi, yanzhuang ji fazhan qushi (2) [Music education in China's schools: History, present and the developmental trend] (2) . Art Research , 1 : 69 – 70 .
  • Wakeman , F. Jr , and W.H. Yeh 1992 . Shanghai sojourners . Berkeley : Institute of East Asian Studies, Univ. of California: Center for Chinese Studies .
  • Wallerstein , I. 1976 . The modern world-system: Capitalist agriculture and the origins of the European world-economy in the sixteenth century , New York : Academic Press .
  • Wallerstein , I. 1990 . “ Culture as the ideological battleground of the modern world-system ” . In Modernity , Edited by: Featherstone , M. 31 – 55 . London : SAGE .
  • Wang , Y.H. 1991 . Zhongguo jinxiandai xinyue shi [Modern music history of China] , 4th ed , Peking : Renmin Xinyue Chubanshe .
  • Wang , M.Y. 2004 . Prologue: The culture of Shanghai and modernization . In Global culture: Nationalism, globalization and Shanghai: Its urbanization and culture (Chinese Philosophical Studies, XXIV) , X.M. Yu and X.R. He , 7 – 12 . Washington , DC : Council for Research in Values and Philosophy .
  • Wasserstrom , J. 1991 . Student protests in twentieth-century China: The view from Shanghai , Standford , CA : Stanford Univ. Press .
  • Williams , R. 1961 . The long revolution , Middlesex , , England : Harmondsworth .
  • Williams , R. 1981 . Culture , London : Fontama .
  • Williams , R. 1983 . Keywords , 2nd ed , London : Fontana .
  • Wong , I.K.F. 1984 . Geming gequ: Songs for the education of the masses . In Popular Chinese literature and performing arts in the People's Republic of China, 1949–1979 , B.S. McDough , 112 – 43 . Berkeley : Univ. of California Press .
  • Wong , I.K.F. 1992 . “ China ” . In Excursions in world music , Edited by: Nettl , B. , Capwell , C. , Bohlman , P.V. , Wong , I. K.F. and Turino , T. 70 – 104 . Englewood Cliffs , NJ : Prentice Hall .
  • Wong , S.K. 1998 . The Chinese boycott: A social movement in Singapore and Malaya in the early twentieth century . Southeast Asian Studies , 36 ( 2 ) : 230 – 352 .
  • Wong , S.K. 2000 . Mobilizing a social movement in China: Propaganda of the 1905 boycott campaign . Hanxue Yanjiu (Chinese Studies) , 19 ( 1 ) : 375 – 408 .
  • Wong , S.K. 2001 . Die for the boycott and nation: Martyrdom and the 1905 Anti-American Movement in China . Modern Asian Studies , 35 ( 3 ) : 565 – 88 .
  • Wu , Y.Y. 1990 . Ben shiji qian ban xie woguo de yinyue jiaoyu sixiang ji qi shijian [China music education in the first half of the 20th century: Educational thought and practice] . Yinyue Yanjiu (Music Study) , 3 : 27 – 30 .
  • Wu , Y.Y. 1999 . Zhongguo jin xiandai xuexiao yinyue jiaoyu (1840–1949) (School music education in modern China) (1840–1949) . Shanghai : Shanghai Educational .
  • Wu , W.P. 2004 . Cultural strategies in Shanghai: Regenerating cosmopolitanism in an era of globalization . Progress in Planning , 61 : 159 – 80 .
  • Xiu , H.L. 1998 . Modern music education and Cai Yuanpie's views on Chinese and Western culture . Musical Performance , 2 ( 2 ) : 15 – 7 .
  • Yang , H.L. 2010 . “ The making of a national icon: Xian Xinghai and his Yellow River Cantata ” . In Reading Chinese music and beyond , Edited by: Cheung , J.H.Y. and Wong , K.C. Hong Kong : Chinese Civilisation Centre, City Univ. of Hong Kong .
  • Yeh , W.H. 1997 . Shanghai modernity: Commerce and culture in a republican city . China Quarterly , 150 : 375 – 94 .
  • Yeh , Y.Y. 2002 . Historiography and signification: Music in Chinese cinema of the 1930s . Cinema Journal , 41 ( 3 ) : 78 – 97 .
  • Zhu , R. 2011 . Xiao Youmei guomin yinyue jiaoyu sixiang di neihan [Xiao Youmei's national music education: Thought and content] . Beifang Yinyue (Northern Music) , 1 : 47 – 50 .
  • Zhuang , Z.L. 2005 . Xuetang chunqiu (Schools & colleges in old Shanghai) , Shanghai : City Memory .
  • Zou , Z.H. 2010 . The “Dewey fever” in Jiangzu and Zhejiang during the May Fourth Movement and its relation to the cultural tradition in Jiangnan . Chinese Studies in History , 43 ( 4 ) : 43 – 62 .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.