References
- Arendt, Hannah . 1992. Lectures on Kant’s Political Philosophy , edited by Ronald Beiner . Chicago, IL : University of Chicago Press.
- Berger, John . 1995. “Appearances.” In Another Way of Telling , edited by John Berger and Jean Mohr , 81–129. New York : Vintage.
- Beugnet, Martine . 2017. “Introduction.” In Indefinite Visions: Cinema and the Attractions of Uncertainty , edited by Martine Beugnet , Allan Cameron and Arild Fetveit , 1–13. Edinburgh: Edinburgh University Press.
- Boltanski, Luc . 1999. Distant Suffering: Morality, Media and Politics . Translated by Graham Burchill . Cambridge: Cambridge University Press.10.1017/CBO9780511489402
- Bruzzi, Stella . 2006. New Documentary . Abingdon: Routledge.
- Chad, Elias , and Zaher Omareen . 2014. “Syria’s Imperfect Cinema.” In Syria Speaks: Art and Culture from the Frontline , edited by Malu Halasa , Zaher Omareen and Nawara Mahfoud , 257–268. London: Saqi.
- Chaudhuri, Shohini . 2016. “Beauty is When Justice is Retained Somewhere, Even If This Somewhere is in the Future.” An Interview with Ossama Mohammed and Zaher Omareen . http://mosaicrooms.org/blog/beauty-is-when-justice-is-retained-somewhere-even-if-this-somewhere-is-in-the-future/.
- Chouliaraki, Lilie . 2006. The Spectatorship of Suffering . London: Sage.
- Chouliaraki, Lilie . 2015. “Digital Witnessing in War Journalism: The Case of Post-Arab Spring Conflicts.” Popular Communication 13 (2): 105–119.10.1080/15405702.2015.1021467
- Cooke, miriam . 2017. Dancing in Damascus: Creativity, Resilience and the Syrian Revolution . New York : Routledge.
- Della Ratta, Donatella . 2017. “The Unbearable Lightness of the Image: Unfinished Thoughts on Filming in Contemporary Syria.” Middle East Journal of Culture and Communication 10: 109–132.10.1163/18739865-01002003
- Egoyan, Atom , and Ian Balfour . 2004. “Introduction.” In Subtitles: On the Foreignness of Film , edited by Egoyan Atom and Ian Balfour , 21–30. Cambridge, MA: MIT Press.
- Eisenstein, Sergei . 1994. “Béla Forgets the Scissors.” In The Film Factory: Russian and Soviet Cinema in Documents, 1896–39 , edited by Richard Taylor and Ian Christie , 145–149. Abingdon: Routledge.
- Elliott, Nicholas . 2014. “On Silvered Water, Syria Self-Portrait.” Bomb Magazine , October 10. http://bombmagazine.org/article/1000279/on-i-silvered-water-syria-self-portrait-i.
- Ginsberg, Terri , and Chris Lippard . 2010. Historical Dictionary of Middle Eastern Cinema . Lanham, MD: Scarecrow Press.
- Kadi, Sam . 2017. Skype Interview with the Author , March 13.
- Kozloff, Sarah . 1988. Invisible Storytellers: Voiceover Narration in American Fiction Film . Berkeley: University of California Press.
- Marks, Laura . 2015. Hanan Al-Cinema: Affections for the Moving Image . Cambridge, MA: MIT.
- Nord, Liz . 2016. “Why a Syrian Filmmaker ‘Signed a Contract with Death’ to Tell Her Story.” Interview with Andreas Dalsgaard . http://nofilmschool.com/2016/09/war-show-andreas-dalsgaard-obaidah-zytoon-tiff-2016.
- Quilty, Jim . 2014. “Squaring Cinema with Syria’s Terror.” The Daily Star : 16.
- Van de Peer, Stefanie . 2017. Negotiating Dissidence: The Pioneering Women of Arab Documentary . Edinburgh: Edinburgh University Press.
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Film References
- Akkad, Moustapha , dir. 1976. Al-risalah/The Message . Libya/Egypt: Filmco International Productions.
- Kadi, Sam , dir. 2016. Little Gandhi . USA/Syria/Turkey: Samer K. Production.
- Mohammed, Ossama , dir. 1988. Nudjum al-nahar/Stars in Broad Daylight . Syria: National Film Organization.
- Mohammed, Ossama and Wiam Simav Bedirxan , dir. 2014. Ma'a al-Fidda/Silvered Water: Syria Self-Portrait . France/Syria/USA/Lebanon: Les Films d’Ici/Proaction Film.
- Zytoon, Obaidah , and Andreas Dalsgaard , dir. 2016. The War Show . Denmark/Germany/Syria/Finland: Fridthjof Film.