The genealogy of pan-Asian big pictures and the predicament of the contemporary south Korean film industry

REFERENCES

• Ahn, Soojeong (2011), The Pusan International Film Festival, South Korean Cinema and Globalization, Hong Kong: Hong University Press.
   Google Scholar
• Anon (1962a), ‘Asian Film Festival’, Seoul Sinmun, 10 January, p. 5.
   Google Scholar
• Anon (1962b), ‘Run Run Shaw will coproduce films with Shin Sang-ok’, Kyung-hyang Shinmun, 10 May, p. 4.
   Google Scholar
• Anon (1962c), ‘Never before on the Chinese screen-big battle scenes’, Southern Screen, 49: March, pp. 20–2.
   Google Scholar
• Anon (1965), ‘It is a time to begin our new history’, Chosun Ilbo, 31 August, p. 4.
   Google Scholar
• Anon (1978), ‘Hong Kong filmmaker Huang Feng says “Korea is Ideal for Shooting Kung Fu Films”’, Hanguk ilbo, 12 June, p. 5.
   Google Scholar
• Anon (2007), ‘The Weinstein Company launches pioneering Asian Film Fund’, official press release, 6 August, http://www.idbny.com/pdfs/TWCAsia.pdf
   Google Scholar
• Anon (2008), ‘Red Cliff investors cover costs’, The New York Sun, 3 July, http://www.nysun.com/arts/red-cliff-investors-cover-costs/81163
   Google Scholar
• Berry, Chris (2003), ‘What's big about big film?: “De-Westernizing” the blockbuster in South Korea and China’, in Julian Stringer (ed.), Movie Blockbusters, London and New York: Routledge, pp. 217–29.
   Google Scholar
• Cabrillac, Bruno (2004), ‘A bilateral trade agreement between Hong Kong and China’, China Perspectives, 54, pp. 2–12.
   Google Scholar
• Chung, Jong-hwa (2004), ‘Making action cinema: An interview with Kim Si-hyeon’, Yeonghwaeoneo [Film Language], 4: Spring, pp. 198–227.
   Google Scholar
• Coonan, Clifford (2010), ‘China key to booming Hong Kong biz: Closer filmmaking ties help H.K. connect with Spike in Mainland moviegoing’, Variety, 5 September, http://www.variety.com/article/VR1118023554?refCatId=3933
   Google Scholar
• Curtin, Michael (2008), Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV, Berkeley and Los Angeles: University of California Press.
   Google Scholar
• Curtin, Michael and Shah, Hemant (2010), ‘Introduction’, in Michael Curtin and Hemant Shah (eds), Reorienting Global Communication: Indian and Chinese Media Beyond Borders, Urbana and Chicago: University of Illinois, pp. 1–16.
   Google Scholar
• Davis, Darrell William (2010), ‘Market and marketization in the China film business’, Cinema Journal, 49:3, pp. 121–25.
   Google Scholar
• Davis, Darrell William and Yeh, Yueh-yu Emilie (2003), ‘Inoue at Shaws: The wellspring of youth’, in Wong Ain-ling (ed.), The Shaw Screen: A Preliminary Study, Hong Kong: Hong Kong Film Archive, pp. 255–71.
   Google Scholar
• Davis, Darrell William and Yeh, Yueh-yu Emilie (2008), East Asian Screen Industries, London: BFI Press.
   Google Scholar
• Elley, Derek Elley (2010), ‘Reign of Assassins’, Film Business Asia, 3 September, http://www.filmbiz.asia/reviews/reign-of-assassins
   Google Scholar
• Frater, Patrick (2010), ‘Assassins wraps weather-hit China shoot’, Film Business Asia, 9 March, http://www.filmbiz.asia/news/assassins-wraps-weather-hit-china-shoot
   Google Scholar
• Fu, Poshek (2008), ‘The Shaw Brothers diasporic cinema’, in Poshek Fu (ed.), China Forever: The Shaw Brothers and Diasporic Cinema, Urbana and Chicago: University of Illinois Press, pp. 1–26.
   Google Scholar
• Hall, Sheldon and Neale, Steve (2010), Epics, Spectacles, and Blockbusters: A Hollywood History, Detroit: Wayne State University Press.
   Google Scholar
• Hoskins, Colin, McFadyen, Stuart, and Finn, Adam (1997), Global Television and Film: An Introduction to the Economics of the Business, Oxford: Clarendon Press.
   Google Scholar
• Hwang, Dong-mi and Park, Hee-sung (2002), ‘South Korea-China co-production and South Korean cinema's way to China’, South Korean Film Observatory, 17, pp. 3–7.
   Google Scholar
• Jin, Dal Yong and Lee, Dong-Hoo Lee (2007), ‘The birth of East Asia: Cultural regionalization through co-production strategies’, Spectator, 27:2, pp. 31–45.
   Google Scholar
• Kim, Hawon (2005), ‘Current state of Asian film industry exchange’, South Korean Film Observatory, 17, pp. 10–13.
   Google Scholar
• Langdale, John V. (1997), ‘East Asian broadcasting industries: Global, regional, and national perspectives’, Economic Geography, 73:3, pp. 305–21.
   Google Scholar
• Law, Kar and Bren, Frank (2004), Hong Kong Cinema: A Cross-Cultural View, Lanham, Toronto and Oxford: The Scarecrow Press.
   Google Scholar
• Lee, Sangjoon (2013), ‘The emergence of the Asian Film Festival: Cold War Asia and Japan's re-entrance to the regional film industry in the 1950s’, in Miyao Daisuke (ed.), Oxford Handbook of Japanese Cinema, London and New York: Oxford University Press.
   Google Scholar
• Lee, Vivian P. Y. (2009), Hong Kong Cinema Since 1997: The Post-Nostalgic Imagination, New York: Palgrave Macmillan.
   Google Scholar
• Lent, John A. (1990), The Asian Film Industry. Austin: University of Texas Press.
   Google Scholar
• Leung, Grace L. K. and Chan, Joseph M. (1997), ‘The Hong Kong cinema and its overseas market (1950–1995)’, in Hong Kong Cinema Retrospective: Fifty Years of Electric Shadows, Hong Kong: The Urban Council, pp. 136–51.
   Google Scholar
• Ng, Grace (2007), ‘Li Han Hsiang's Long Men Zhen’, in Wong Ain-Ling (ed.), Li Han-Hsiang, Storyteller, Hong Kong: Hong Kong Film Archive, pp. 132–58.
   Google Scholar
• Pang, Laikwan (2010), ‘Hong Kong cinema as a dialect cinema?’, Cinema Journal, 49:3, pp. 140–43.
   Google Scholar
• Park, Ji-yeon (2005), ‘Haebanggi Buteo 1960nyeondae Kkaji ui Yeonghwa Jeongchaek’/‘From the liberation to the 1960s’ film policy', in Kim Dong-ho (ed.), A History of Korean Film Policy, Seoul: Nanam Communication Books, pp. 189–268.
   Google Scholar
• Pao, Jin Long (2002), ‘The Pan-Asian co-production sphere: Interview with director Peter Chan’, Harvard Asian Quarterly, 4:3, http://www.asiaquarterly.com
   Google Scholar
• Parquet, Darcy (2002), ‘Asian Film Industry Network to be launched at Pusan Film Festival’, Screen Daily, 12 November, http://www.screendaily.com/festivals/asian-film-industry-network-to-be-launched-at-pusan-film-festival/4011211.article
   Google Scholar
• Rosen, Stanley (2002), ‘The wolf at the door: Hollywood and the film market in China’, in Eric J. Heikkila and Rafael Pizarro (eds), Southern California and the World, Wertport, CT: Praeger, pp. 49–78.
   Google Scholar
• Rosen, Stanley (2010), ‘Chinese cinema's international market’, in Ying Zhu and Stanley Rosen (eds), Art, Politics, and Commerce in Chinese Cinema, Hong Kong: Hong Kong University Press, pp. 35–54.
   Google Scholar
• Shackleton, Liz (2010), ‘The Weinstein Company picks up Woo's Reign of Assassins’, Screen Daily, 11 June, http://www.screendaily.com/territories/asia-pacific/the-weinstein-company-picks-up-woos-reign-of-assassins/5014922.article
   Google Scholar
• Shin, Ki-ju (2009), ‘Expand the market, expand the viewers: International coproduction’, South Korean Cinema Today, 2, pp. 14–17.
   Google Scholar
• Shin, Sang-ok (2007), I was a Movie: Memoirs of Shin Sang-ok, Seoul: Random House Publishing.
   Google Scholar
• South Korean Film Council (2007), Who's Who in South Korean Film Industry, Seoul: South Korean Film Council.
   Google Scholar
• Wong, Cindy Hing-Yuk (2007), ‘Film festivals and the global projection of Hong Kong cinema’, in Gina Marchetti and Tan Se Ka (eds), Hong Kong Film, Hollywood and the New Global Cinema: No Film is an Island, London and New York: Routledge, pp. 177–92.
   Google Scholar
• Wyatt, Justin (2008), ‘The formation of the “Major Independent”: Miramax, New Line and the New Hollywood’, in Steve Neale and Murray Smith (eds), Contemporary Hollywood Cinema, London and New York: Routledge, pp. 74–90.
   Google Scholar
• Yeh, Emilie Yueh-yu (2010), ‘The deferral of Pan-Asian: A critical appraisal of film marketization in China’, in Michael Curtin and Hermant Shah (eds), Reorienting Global Communication: Indian and Chinese Media Beyond Borders, Urbana and Chicago: University of Illinois Press, pp. 183–200.
   Google Scholar
• Yeh, Emilie Yueh-yu and Davis, Darrell William (2008), ‘Re-nationalizing China's film industry: Case study on the China film group and film marketization’, Journal of Chinese Cinema, 2:1, pp. 37–51.
   Google Scholar
• Ying, Yan (2009), South Korea-China Coproduction of Film: Focus on the Case of Three Kingdoms: Resurrection of the Dragon, M.A. thesis, Seoul: South Korea University.
   Google Scholar
• Zhu, Ying (2010), ‘New year film as Chinese blockbuster: From Feng Xiaogang's contemporary urban comedy to Zhang Yimou's period drama’, in Ying Zhu and Stanley Rosen (eds), Art, Politics, and Commerce in Chinese Cinema, Hong Kong: Hong Kong University Press, pp. 195–208.
   Google Scholar