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Volume 26, Issue 4

Social Semiotics

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Social Semiotics, Volume 26, Issue 4 (2016)

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Social Semiotics, Volume 26, Issue 4 (2016)

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Vol 34, 2024 Vol 33, 2023 Vol 32, 2022 Vol 31, 2021 Vol 30, 2020 Vol 29, 2019 Vol 28, 2018 Vol 27, 2017 Volume 26, 2016 Vol 25, 2015 Vol 24, 2014 Vol 23, 2013 Vol 22, 2012 Vol 21, 2011 Vol 20, 2010 Vol 19, 2009 Vol 18, 2008 Vol 17, 2007 Vol 16, 2006 Vol 15, 2005 Vol 14, 2004 Vol 13, 2003 Vol 12, 2002 Vol 11, 2001 Vol 10, 2000 Vol 9, 1999 Vol 8, 1998 Vol 7, 1997 Vol 6, 1996 Vol 5, 1995 Vol 4, 1994 Vol 3, 1993 Vol 2, 1992 Vol 1, 1991

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The Languages of Performing Arts: Semiosis, Communication and Meaning-Making. Guest editors: Maria Grazia Sindoni, Janina Wildfeuer and Kay O’Halloran

Introduction

The expanding galaxy of performing arts: extending theories and questioning practices

Maria Grazia Sindoni, Janina Wildfeuer & Kay L. O’Halloran

Pages: 325-340

Published online: 17 Jun 2016

AbstractforThe expanding galaxy of performing arts: extending theories and questioning practices | Full Text | References | PDF (1.2 MB)

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Articles

Article

Semiotics and performing arts: contemporary issues

André Helbo

Pages: 341-350

Published online: 17 Jun 2016

AbstractforSemiotics and performing arts: contemporary issues | Full Text | References | PDF (688.1 KB)

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Article

From page to virtual stage: a socio-semiotic reading of stage directions

Nita M. Moghaddam

Pages: 351-365

Published online: 17 Jun 2016

AbstractforFrom page to virtual stage: a socio-semiotic reading of stage directions | Full Text | References | PDF (979 KB)

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Article

When cinema borrows from stage: theatrical artifice through indexical explicitness in The Cook, the Thief, His Wife and Her Lover and Dogville

Roberta Piazza

Pages: 366-384

Published online: 02 Jun 2016

AbstractforWhen cinema borrows from stage: theatrical artifice through indexical explicitness in The Cook, the Thief, His Wife and Her Lover and Dogville | Full Text | References | PDF (1.7 MB)

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Article

“Un nodo avviluppato”. Rossini’s La Cenerentola as a prototype of multimodal resemiotisation

Maria Grazia Sindoni & Fabio Rossi

Pages: 385-403

Published online: 30 May 2016

Abstractfor“Un nodo avviluppato”. Rossini’s La Cenerentola as a prototype of multimodal resemiotisation | Full Text | References | PDF (2.5 MB)

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From book to stage to screen: semiotic transformations of Gothic horror genre conventions

Sabine Tan, Peter Wignell & Kay L. O’Halloran

Pages: 404-423

Published online: 31 May 2016

AbstractforFrom book to stage to screen: semiotic transformations of Gothic horror genre conventions | Full Text | References | PDF (2.1 MB)

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Article

Reading aloud as performance and its representation on television programmes for children

Kunkun Zhang, Emilia Djonov & Jane Torr

Pages: 424-444

Published online: 02 Jun 2016

AbstractforReading aloud as performance and its representation on television programmes for children | Full Text | References | PDF (2.7 MB)

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Article

Penetrating spaces: a social semiotic, multimodal analysis of performance as rape prevention

R. J. McMurtrie & A. Murphy

Pages: 445-463

Published online: 17 Jun 2016

AbstractforPenetrating spaces: a social semiotic, multimodal analysis of performance as rape prevention | Full Text | References | PDF (1.8 MB)

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Social Semiotics (Vol.26, Iss.4, 2016)

The Languages of Performing Arts: Semiosis, Communication and Meaning-Making. Guest editors: Maria Grazia Sindoni, Janina Wildfeuer and Kay O’Halloran

The Languages of Performing Arts: Semiosis, Communication and Meaning-Making. Guest editors: Maria Grazia Sindoni, Janina Wildfeuer and Kay O’Halloran

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