Contemporary Music Review, Volume 40, Issue 4 (2021)

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Contemporary Music Review, Volume 40, Issue 4 (2021)

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Improvisation/Indeterminacy: Plays of Inclusion and Exclusion in Musical Performance

Introduction

Introduction
Improvisation/Indeterminacy
Franziska Schroeder & Iain Campbell
Pages: 359-365
Published online: 17 Dec 2021
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Articles

Article
Mapping Participation: Lawrence Halprin's RSVP Cycles Meets Richard Barrett's fOKT
Christopher A. Williams
Pages: 366-385
Published online: 17 Dec 2021
AbstractforMapping Participation: Lawrence Halprin's RSVP Cycles Meets Richard Barrett's fOKT | Full Text | References | PDF (858.5 KB) | EPUB
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Article
‘Androgynous Music’: Pauline Oliveros’s Early Cybernetic Improvisation
Theodore Gordon
Pages: 386-408
Published online: 04 Jan 2022
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Improvisation, Indeterminacy, and Ontology: Some Perspectives on Music and the Posthumanities
Iain Campbell
Pages: 409-424
Published online: 17 Dec 2021
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Article
Improvising Folk Songs: An Inclusive Indeterminacy
Susanne Rosenberg
Pages: 425-439
Published online: 17 Dec 2021
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Article
Are Classical Musicians Excluded from Improvisation? Cultural Hegemony and the Effects of Ideology on Musicians’ Attitudes Towards Improvisation
Jonathan Ayerst
Pages: 440-452
Published online: 22 Dec 2021
AbstractforAre Classical Musicians Excluded from Improvisation? Cultural Hegemony and the Effects of Ideology on Musicians’ Attitudes Towards Improvisation | Full Text | References | PDF (150.2 KB) | EPUB
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Article
An Overabundance of Signifiers: Derridean Play in Hans-Joachim Hespos’ Weiβschatten
Clare Lesser
Pages: 453-470
Published online: 17 Dec 2021
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