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Original Articles

Hybridity and Its Discontents: Considering Visual Culture in Colonial Spanish America*

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Pages 5-35 | Published online: 01 Jul 2010

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Read on this site (31)

Mark Pierre Dries. (2022) Native mercury: discovery narratives as entangled histories of technology. Colonial Latin American Review 31:1, pages 114-132.
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Ximena A. Gómez. (2021) From ira to imagen: the Virgin of the Antigua as a ‘space for correlation’ in seventeenth-century Lima. Colonial Latin American Review 30:2, pages 214-237.
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Kathryn Santner & Helen Melling. (2021) Introduction: visualizing Blackness in colonial Latin America. Colonial Latin American Review 30:2, pages 179-196.
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Lance C. Thurner. (2021) Botanizing in the borderlands: the limits of scientific indigeneity in late colonial New Spain. Colonial Latin American Review 30:1, pages 109-136.
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Stephanie Porras. (2020) Locating Hispano-Philippine ivories. Colonial Latin American Review 29:2, pages 256-291.
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Fernando Guzmán, Javier Barros, Paola Corti & Magdalena Pereira. (2019) El rito bautismal y las imágenes pintadas en la iglesia de Curahuara de Carangas. Colonial Latin American Review 28:1, pages 81-105.
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José Luis Martínez C.Astrid Windus. (2019) Epistemologías transculturales: prácticas y producción de conocimientos en zonas de contacto colonial en los Andes y Paraguay. Colonial Latin American Review 28:1, pages 1-9.
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Dana Bultman. (2018) Winds, heart, and heat in premodern Franciscan and Nahua concepts of ‘soul’. Colonial Latin American Review 27:3, pages 296-315.
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Gaby Greenlee. (2017) Threshold objects: viewing textiles in a colonial Andean painting. World Art 7:1, pages 37-63.
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Karen B. Graubart. (2017) Shifting landscapes. Heterogeneous conceptions of land use and tenure in the Lima valley. Colonial Latin American Review 26:1, pages 62-84.
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Marcy Norton. (2017) Subaltern technologies and early modernity in the Atlantic World. Colonial Latin American Review 26:1, pages 18-38.
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Ralph Bauer & Marcy Norton. (2017) Introduction: entangled trajectories: indigenous and European histories. Colonial Latin American Review 26:1, pages 1-17.
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Alejandro Patiño-Contreras. (2016) Architectural space in the Muisca settlement of La Maria (Chia, Colombia) during the Prehispanic and Colonial periods. Journal of Field Archaeology 41:4, pages 413-427.
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Barbara E. Mundy & Aaron M. Hyman. (2015) Out of The Shadow of Vasari: Towards A New Model of The ‘Artist’ in Colonial Latin America. Colonial Latin American Review 24:3, pages 283-317.
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Eloise Quiñones Keber. (2013) Introductory Essay. Art and Evangelization: Creating A New Art in 16th-Century Mexican Missions. Colonial Latin American Review 22:1, pages 2-18.
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Adam Herring. (2013) An archaeology of abstraction: Ollantaytambo . World Art 3:1, pages 41-65.
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José Luis Martínez C.. (2012) El virrey Toledo y el control de las voces andinas coloniales. Colonial Latin American Review 21:2, pages 175-208.
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Susan Verdi Webster. (2011) Vantage Points: Andeans and Europeans in the Construction of Colonial Quito. Colonial Latin American Review 20:3, pages 303-330.
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MalcolmN. MacDonald & JohnP. O'Regan. (2011) Editorial. Language and Intercultural Communication 11:1, pages 1-5.
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Anthony Spencer. (2011) Americans create hybrid spaces in Costa Rica: a framework for exploring cultural and linguistic integration. Language and Intercultural Communication 11:1, pages 59-74.
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Nancy Farriss. (2010) Introductory Essay: The Power of Images. Colonial Latin American Review 19:1, pages 5-28.
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Maya Stanfield-Mazzi. (2009) The Possessor's Agency: Private Art Collecting in the Colonial Andes. Colonial Latin American Review 18:3, pages 339-364.
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Joanne Rappaport. (2009) MISCHIEVOUS LOVERS, HIDDEN MOORS, AND CROSS-DRESSERS: PASSING IN COLONIAL BOGOTÁ. Journal of Spanish Cultural Studies 10:1, pages 7-25.
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