803
Views
0
CrossRef citations to date
0
Altmetric
Articles

Players chatter and dice clatter: exploring sonic power relations in posthuman game-based learning ecologies

ORCID Icon & ORCID Icon

References

  • Bamberger, J. (1991). The mind behind the musical ear: How children develop musical intelligence. Cambridge, MA: Harvard University Press.
  • Barad, K. M. (2007). Meeting the universe halfway: Quantum physics and the entanglement of matter and meaning. Durham, NC: Duke University Press.
  • Brownell, C. J. (2019). Sound the alarm!: Disrupting sonic resonances of an elementary English language arts classroom. Curriculum Inquiry, 49(5), 551–572. doi:10.1080/03626784.2019.1671137
  • Camp, G. (1999). All star. https://www.sheetmusicdirect.com/se/ID_No/157442/Product.aspx
  • Campt, T. M. (2017). Listening to images (Reprint ed.). Durham, NC: Duke University Press Books.
  • Cecchetto, D. (2013). Humanesis: Sound and technological posthumanism. University of Minnesota Press. http://ebookcentral.proquest.com/lib/wisc/detail.action?docID=1318803
  • Cook, M. P., Gremo, M., & Morgan, R. (2017). We’re just playing: The influence of a modified tabletop role-playing game on ELA students’ in-class reading. Simulation & Gaming, 48(2), 199–218.
  • da Rocha, F. Q. (2018). Roll a D6: A role-playing game-based approach to the EFL classroom. BELT – Brazilian English Language Teaching Journal, 9(2), 535–546.
  • Daza, S., & Gershon, W. S. (2015). Beyond ocular inquiry: Sound, silence, and sonification. Qualitative Inquiry, 21(7), 639–644. doi:10.1177/1077800414566692
  • Daza, S. L. (2013). Storytelling as methodology: Colombia’s social studies textbooks after La Constitución de 1991. Qualitative Research in Education, 2(3), 242–276.
  • Edwards, J. A. (2005). The transcription of discourse. In The handbook of discourse analysis (pp. 321–348). Wiley. doi:10.1002/9780470753460.ch18
  • Eglash, R., Bennett, A., Babbitt, W., Lachney, M., Reinhardt, M., & Hammond-Sowah, D. (2020). Decolonizing posthumanism: Indigenous material agency in generative STEM. British Journal of Educational Technology, 51(4), 1334–1353. doi:10.1111/bjet.12963
  • Ehlich, K. (1993). HIAT: A transcription system for discourse data. Talking Data: Transcription and Coding in Discourse Research, 12(4), 123–148.
  • Erickson, F. (2004). Talk and social theory: Ecologies of speaking and listening in everyday life (1st ed.). Cambridge, UK: Polity.
  • Erickson, F., & Shultz, J. J. (1982). The counselor as gatekeeper: Social interaction in interviews. New York, NY: Academic Press.
  • Feldman, M. (1950). Projection I. https://91classical.org/post/avant-garde-music-scores-go-graphic-when-traditional-notes-arent-enough/
  • Flint, M. A. (2021). More-than-human methodologies in qualitative research: Listening to the leafblower. Qualitative Research, 1468794121999028. doi:10.1177/1468794121999028
  • Garcia, A. (2020). Gaming literacies: Spatiality, materiality, and analog learning in a digital age. Reading Research Quarterly, 55(1), 9–27.
  • Gershon, W. (2006). Collective improvisation: A theoretical lens for classroom observation. Journal of Curriculum and Pedagogy, 3(1), 104–135. doi:10.1080/15505170.2006.10411586
  • Gershon, W. S. (2013). Sonic cartography: Mapping space, place, race, and identity in an urban middle school. Taboo: The Journal of Culture and Education, 13(1), 21–45. doi:10.31390/taboo.13.1.04
  • Gershon, W. S. (2017). Sound curriculum: Sonic studies in educational theory, method, & practice (1st ed.). New York, NY: Routledge.
  • Hall, M. (2013). Designing is learning: An investigation of designing multimodal texts (PhD). New York University). In ProQuest Dissertations and Theses. https://search.proquest.com/docview/1464388369/abstract/C4F50C5BC8B14D27PQ/1
  • Hall, M. (2015). Composing in public: The ambient audiences of a writing lab. Journal of Adolescent & Adult Literacy, 59(3), 309–318. doi:10.1002/jaal.465
  • Hall, R., Reimers, E., Champion, D., Gravel, B., Tucker-Raymond, E., Millner, A., … Taylor, K. H. (2020). Designs for learning with and through sound. The Interdisciplinarity of the Learning Sciences, ICLS 2020. Conference Proceedings, Vol. 1, 453–460.
  • Hayles, N. K. (1999). How we became posthuman: Virtual bodies in cybernetics, literature, and informatics (1st ed.). Chicago, IL: University of Chicago Press.
  • Hollett, T., Peng, X., & Land, S. (2022). Learning with and beyond the body: The production of mobile architectures in a ballet variations class. Journal of the Learning Sciences, 31(1), 43–72. doi:10.1080/10508406.2021.2003801
  • Jones, K., Storm, S., Castillo, J., & Karbachinskiy, S. (2021). Chasing new worlds: Stories of roleplaying in classroom spaces. Journal of Language & Literacy Education, 17(1), 1–17.
  • KC, T. (2016). RPG casts. https://rpgcasts.com
  • Keune, A., & Peppler, K. (2019). Materials-to-develop-with: The making of a makerspace. British Journal of Educational Technology, 50(1), 280–293. doi:10.1111/bjet.12702
  • Kouppanou, A. (2022). The posthumanist challenge to teaching or teaching’s challenge to posthumanism: A neohumanist proposal of nearness in education. Discourse: Studies in the Cultural Politics of Education, 0(0), 1–19. doi:10.1080/01596306.2022.2033534
  • Krishnamoorthy, R. (2021). Science education, knowledge creation and Hindu nationalism: Examining how human-material relations shape science teaching in a South Indian school (PhD). New York University. https://www.proquest.com/docview/2586426616/.
  • La Barbara, J. (2009). Persistence of memory. https://blogthehum.com/2016/01/29/the-beauty-of-joan-la-barbara-scores-and-photographs/
  • Lindgren, T. (2020). The figuration of the posthuman child. Discourse: Studies in the Cultural Politics of Education, 41(6), 914–925. doi:10.1080/01596306.2019.1576589
  • Lu, F.-C., & Chang, B. (2016). Role-play game-enhanced English for a specific-purpose vocabulary-acquisition framework. Journal of Educational Technology & Society, 19(2), 367–377.
  • Nyman, M. (1974). Experimental music: Cage and beyond (1st ed.). Cambridge, UK: Cambridge University Press.
  • Oliveros, P. (1989). Wind horse for chorus. Kingston, NY: Deep Listening Publications.
  • Pedersen, H. (2010). Is ‘the posthuman’ educable? On the convergence of educational philosophy, animal studies, and posthumanist theory. Discourse: Studies in the Cultural Politics of Education, 31(2), 237–250. doi:10.1080/01596301003679750
  • Saldaña, J. (2015). The coding manual for qualitative researchers (3rd ed.). London, UK: Sage.
  • Serres, P. M. (2007). The parasite. Minnesota, MN: University of Minnesota Press.
  • Sheridan, M. P., Lemieux, A., Nascimento, A. D., & Arnseth, H. C. (2020). Intra-active entanglements: What posthuman and new materialist frameworks can offer the learning sciences. British Journal of Educational Technology, 51(4), 1277–1291. doi:10.1111/bjet.12928
  • Small, C. (1998). Musicking: The meanings of performing and listening. Middletown, CT: Wesleyan University Press.
  • Smith, W. L. (2015). Kosmic music: Four symphonies. https://bombmagazine.org/articles/wadada-leo-smith/
  • Snaza, N., Appelbaum, P., Bayne, S., Carlson, D., Morris, M., Rotas, N., … Weaver, J. A. (2014). Toward a posthuman education. Journal of Curriculum Theorizing, 30(2), 39–55.
  • Snaza, N., & Weaver, J. (2015). Introduction: Education and the posthumanist turn. In N. Snaza & J. Weaver (Eds.), Posthumanism and educational research (pp. 1–16). New York, NY: Routledge.
  • Storm, S., & Jones, K. (2021). Queering critical literacies: Disidentifications and queer futurity in an afterschool storytelling and roleplaying game. English Teaching: Practice & Critique, 20(4), 534–548. doi:10.1108/ETPC-10-2020-0131
  • Sullivan, F. R., & Wilson, N. C. (2015). Playful talk: Negotiating opportunities to learn in collaborative groups. Journal of the Learning Sciences, 24(1), 5–52. doi:10.1080/10508406.2013.839945
  • Thompson, M. (2017). Beyond unwanted sound: Noise, affect and aesthetic moralism. New York, NY: Bloomsbury Academic.
  • Wargo, J., & Garcia, A. (2021). (Re)reading the room: The literacies of escape rooms. Journal of Curriculum and Pedagogy, 1–26. doi:10.1080/15505170.2021.1960224
  • Wargo, J. M. (2019). Sounding the garden, voicing a problem: Mobilizing critical literacy through personal digital inquiry with young children. Language Arts, 96(5), 275–285.
  • Woods, P. J. (2019). Conceptions of teaching in and through noise: A study of experimental musicians’ beliefs. Music Education Research, 21(4), 459–468. doi:10.1080/14613808.2019.1611753
  • Woods, P. J. (2021). Reimagining collaboration through the lens of the posthuman: Uncovering embodied learning in noise music. Journal of Curriculum and Pedagogy, 18(1), 45–65. doi:10.1080/15505170.2020.1786747
  • Woods, P. J., & Jones, K. (2020). Expanding the borders of music-based qualitative research methods through graphic scores. In M. Gresalfi & I. S. Horn (Eds.), The interdisciplinarity of the learning sciences. 14th international conference of the learning sciences (ICLS) 2020 (Vol. 2, pp. 1063–1070). Nashville, TN: International Society of the Learning Sciences.